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3rd or 4th century CE Kamasutra, Vatsyayana, 13th-century Jayamangala commentary of Yashodhara, Bendall purchase 1885 CE.Kamasutra elaborate the idea of Shadanga. [6]The concept of the Six Limbs of Indian Painting, or Ṣaḍaṅga, finds its roots in ancient Indian texts and treatises on art and aesthetics, reflecting a holistic approach to artistic creation.
The Six Kalmas (Urdu: چھ کلمے chh kalme, Arabic: ٱلكَلِمَات ٱلسِتّ al-kalimāt as-sitt, also spelled qalmah), also known as the Six Traditions or the Six Phrases, are six Islamic phrases often recited by Pakistani Muslims. [1]
Fluid paint, in general, is a moveable form of acrylic paint. Fluid paints can be used like watercolors, for acrylic pouring, or for glazing and washes. To create a more fluid consistency, water or a pouring medium is added to the paint. The ratio of paint to water/pouring medium depends on how thick the glaze or pouring paint is expected to be.
The wax encaustic painting technique was described by the Roman scholar Pliny the Elder in his Natural History from the 1st Century AD. [5] The oldest surviving encaustic panel paintings are the Romano-Egyptian Fayum mummy portraits from Egypt , around 100–300 AD, [ 6 ] but it was a very common technique in ancient Greek and Roman painting.
Chitra (IAST: Citra, चित्र) is a Sanskrit word that appears in the Vedic texts such as hymns 1.71.1 [note 1] and 6.65.2 of the Rigveda.There, and other texts such as Vajasaneyi Samhita, Taittiriya Samhita, Satapatha Brahmana and Tandya Brahmana, Chitra means "excellent, clear, bright, colored, anything brightly colored that strikes the eye, brilliantly ornamented, extraordinary that ...
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Shilpa Shastras (Sanskrit: शिल्प शास्त्र śilpa śāstra) literally means the Science of Shilpa (arts and crafts). [1] [2] It is an ancient umbrella term for numerous Hindu texts that describe arts, crafts, and their design rules, principles and standards.
Impasto is a technique used in painting, where paint is laid on an area of the surface thickly, [1] usually thick enough that the brush or painting-knife strokes are visible. Paint can also be mixed right on the canvas. When dry, impasto provides texture; the paint appears to be coming out of the canvas.