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The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
The new "Sarnath image type" or "Gupta period Buddhist image" differs from earlier Buddha images, such as those in Greco-Buddhist art, in a number of respects: the gaze is lowered, the clinging robes disclose no male genital bulge, the robe lacks folds, and there are different body proportions.
Sitātapatrā (Sanskrit: "White Parasol" [1]) is a bodhisattva and protector against supernatural danger in Buddhism. She is venerated in both the Mahayana and Vajrayana traditions. She is also known as Usnisasitatapatra or Uṣṇīṣa Sitātapatrā .
Vairocana, the first Dhyani Buddha, embodying sovereignty and occupying the center, [7] is a special case (in any case, he is distinct from Gautama and not normally confused with him). He was one of the Buddhas of Bamiyan blown up by the Taliban which China mourned and tried to replace with the world's tallest statue, named Spring Temple Buddha ...
Dhyana Buddha Mudra – Amitabha Buddha: This mudra has the left hand resting on the lap with the palm facing upwards, the right hand on the top of the left one (also with its palm facing upwards), and the two thumbs touching each other. Sometimes a bowl is placed above his palms.
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In Thailand and Laos, this mudra is associated with the Walking Buddha, often shown having both hands making a double abhayamudra that is uniform. Statue of Vishnu, Berlin, left hand depicting the abhayamudra. The abhayamudra was probably used before the onset of Buddhism as a symbol of good intentions proposing friendship when approaching ...
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