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Mind Your Language is a British sitcom that premiered on ITV in 1977. It was produced by London Weekend Television and directed by Stuart Allen. Three series were made by London Weekend Television between 1977 and 1979, and it was briefly revived in 1985 (or 1986 in most ITV regions) with six of the original cast members.
"In My Time of Dying" (also called "Jesus Make Up My Dying Bed" or a variation thereof) is a gospel music song by Blind Willie Johnson. The title line, closing each stanza of the song, refers to a deathbed and was inspired by a passage in the Bible from Psalms 41:3 "The Lord will strengthen him upon the bed of languishing, thou wilt make all his bed in his sickness".
The Lutheran Church teaches that a sincere deathbed confession can result in the salvation of the penitent. [10] Lutheran Church teaches the Trinity - Father, Son and Holy Ghost. Also the belief in John 3:16. The acceptance of Jesus Christ as the true savior. This can be on the death bed or at any time in life.
Date/Time Thumbnail Dimensions User Comment; current: 18:13, 22 October 2023: 6,678 × 4,558 (13.04 MB): Donrdg54: Adjusting lighting and shadows levels. 18:03, 22 October 2023
Russian Orthodox icon of The Good Thief in Paradise (Moscow School, c. 1560). A deathbed conversion is the adoption of a particular religious faith shortly before dying. Making a conversion on one's deathbed may reflect an immediate change of belief, a desire to formalize longer-term beliefs, or a desire to complete a process of conversion already underway.
Mourning portrait of K. Horvath-Stansith, née Kiss, artist unknown, 1680s A Child of the Honigh Family on its Deathbed, by an unknown painter, 1675-1700. A mourning portrait or deathbed portrait is a portrait of a person who has recently died, usually shown on their deathbed, or lying in repose, displayed for mourners.
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David Lawrence Kirby (December 6, 1957 – May 5, 1990) [1] was an American HIV/AIDS activist, and the subject of a photograph taken at his deathbed by Therese Frare. The image was published in Life magazine, [ 2 ] which called it the "picture that changed the face of AIDS".