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Control channels Controlled source Wave / PCM stereo: Audio signal generated by the CPU via the sound card's digital-to-analog converter. (This includes audio produced by games, MP3 or WAV players, but also some software playing a CD-DA through the CPU, such as, Windows Media Player or Media Player Classic, as well as TV tuner cards that use the CPU for decoding audio.)
Automixers balance multiple sound sources based on each source's level, quickly and dramatically adjusting the various signal levels automatically. [2] Automixers are used in live sound reinforcement to maintain a steady limit on the overall signal level of the microphones; if a public address system is set up so that one microphone will not feed back, then, in general, the automixer will ...
This means that (1) moving the microphone closer to the sound source increases the signal level produced by the microphone, and (2) moving the microphone further away from undesirable noise sources will diminish the amount of noise in the microphone signal. Microphone placement is therefore an important aspect of gain staging [citation needed].
Here, the still-mic-level signal enters into a microphone preamplifier, which boosts the signal voltage to line level. For this example, the microphone preamplifier is built into a mixing board. It is typical for a mixing board to include a line trim after the preamplifier. This allows the amplitude of the now line-level signal to be adjusted.
To maximize gain before feedback, the amount of sound energy that is fed back to the microphones must be reduced as much as is practical.As sound pressure falls off with 1/r with respect to the distance r in free space, or up to a distance known as reverberation distance in closed spaces (and the energy density with 1/r²), it is important to keep the microphones at a large enough distance ...
PC Guide color lime green. Line outputs usually present a source impedance of from 100 to 600 ohms. The voltage can reach 2 volts peak-to-peak with levels referenced to −10 dBV (300 mV) at 10 kΩ. The frequency response of most modern equipment is advertised as at least 20 Hz to 20 kHz, which corresponds to the range of human hearing. Line ...
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In live sound mixing, GBF is dependent on a wide variety of conditions: the pickup pattern (polar pattern) of the microphone, the frequency response of the microphone and of the rest of the sound system, the number of active microphones and loudspeakers, the acoustic conditions of the environment including reverberation and echo, and the relative positions of the microphones, the loudspeakers ...