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422.1: Instruments in which the player's breath is directed against a pair of lamellae which periodically interrupt the airflow and cause the air to be set in motion. Subcategories This category has the following 5 subcategories, out of 5 total.
Reed contrabass/Contrabass à anche; Rhaita (North Africa) Rothphone; Sarrusophone (but often played with single reed mouthpiece) Shawm (Schalmei) Sopilas (Croatia) Sornas (Persia) Suona (China) Surnayers (Iran) Taepyeongso (Korea) Tárogatós (Hungary; up to about the 18th century) Tromboon; Trompeta china (Cuba) Zurla (Macedonia) Zurna
412.13 Free-reed instruments feature a reed which vibrates within a closely fitting slot (there may be an attached pipe, but it should only vibrate in sympathy with the reed, and not have an effect on the pitch - instruments of this class can be distinguished from 422.3 by the lack of finger-holes). 412.131 Individual free reeds. Bawu; Party horn
Double clarinet; Launeddas; Mijwiz; 422.3 Reedpipes with free reeds - The reed vibrates through [at] a closely fitted frame. There must be fingerholes, otherwise the instrument belongs to the free reeds 412.13. 422.31 Single pipes with free reed. Bawu; 422.32 Double pipes with free reeds. Hulusi
A double reed [1] is a type of reed used to produce sound in various wind instruments.In contrast with a single reed instrument, where the instrument is played by channeling air against one piece of cane which vibrates against the mouthpiece and creates a sound, a double reed features two pieces of cane vibrating against each other.
Double-reed instruments. The reed bundle is inserted through a disk (used for breath control, for uninterrupted sound, playing while the musician breathes.) In France, musettes were small oboes until the 16th century, when they became bagpipes. [71] The musette was a small keyless double-reed chalumeau, with a visibly conical bore and a pear ...
New instruments cost approximately £8,250 at 2016 prices (roughly $11,885 US), comparable to the cost of a new cor anglais. This cost, coupled with the limited call for the instrument, leads many oboists not to possess their own oboe d'amore, but to rent one when their work dictates the need.
A duduk reed. The duduk is a double reed instrument with ancient origins, having existed since at least the fifth century, while there are Armenian scholars who believe it existed more than 1,500 years before that. [11] The earliest instruments similar to the duduk's present form are made of bone or entirely of cane.