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422.1: Instruments in which the player's breath is directed against a pair of lamellae which periodically interrupt the airflow and cause the air to be set in motion. Subcategories This category has the following 5 subcategories, out of 5 total.
Reed contrabass/Contrabass à anche; Rhaita (North Africa) Rothphone; Sarrusophone (but often played with single reed mouthpiece) Shawm (Schalmei) Sopilas (Croatia) Sornas (Persia) Suona (China) Surnayers (Iran) Taepyeongso (Korea) Tárogatós (Hungary; up to about the 18th century) Tromboon; Trompeta china (Cuba) Zurla (Macedonia) Zurna
A double reed [1] is a type of reed used to produce sound in various wind instruments.In contrast with a single reed instrument, where the instrument is played by channeling air against one piece of cane which vibrates against the mouthpiece and creates a sound, a double reed features two pieces of cane vibrating against each other.
The crumhorn is a capped reed instrument. Its construction is similar to that of the chanter of a bagpipe. A double reed is mounted inside a long windcap. Blowing through a slot in the windcap produces a musical note. The pitch of the note can be varied by opening or closing finger holes along the length of the pipe.
Reed aerophones is one of the categories of musical instruments found in the Hornbostel-Sachs system of musical instrument classification. In order to produce sound with these Aerophones the player's breath is directed against a lamella or pair of lamellae which periodically interrupt the airflow and cause the air to be set in motion.
New instruments cost approximately £8,250 at 2016 prices (roughly $11,885 US), comparable to the cost of a new cor anglais. This cost, coupled with the limited call for the instrument, leads many oboists not to possess their own oboe d'amore, but to rent one when their work dictates the need.
412.13 Free-reed instruments feature a reed which vibrates within a closely fitting slot (there may be an attached pipe, but it should only vibrate in sympathy with the reed, and not have an effect on the pitch - instruments of this class can be distinguished from 422.3 by the lack of finger-holes). 412.131 Individual free reeds. Bawu; Party horn
The reed on the dulcian is fully exposed, allowing the player to control the sound and intonation by embouchure. At the time it first appeared, other double reed instruments either had the reed fully enclosed, like the crumhorn or the bagpipe, or partially enclosed by a pirouette, like the shawm. It has been argued the dulcian displaced the ...