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Highest-grossing films of 1980 Rank Title Distributor Domestic gross 1 The Empire Strikes Back: 20th Century Fox: $209,398,025 2 9 to 5: $103,290,500 3 Stir Crazy: Columbia: $101,300,000 4 Airplane! Paramount: $83,453,539 5 Any Which Way You Can: Warner Bros. $70,687,344 6 Private Benjamin: $69,847,348 7 Coal Miner's Daughter: Universal ...
Best Friends Forever is a 2013 American female buddy road comedy film directed by Brea Grant and written and starring Brea Grant and Vera Miao. The film premiered at the 2013 Slamdance Film Festival .
To All the Boys: Always and Forever (2021) To All a Goodnight (1980) To All My Friends on Shore (1972 TV) To Award (Posthumously) (1986) To B or Not to B (unreleased) To Be (1990) To Be Alive! (1964) To Be Called For (1914) To Be Continued (2018) To Be Fat like Me (2007 TV) To Be and to Have (2002) To Be a Lady (1934) To Be a Millionaire (1980)
Brussels-based company Best Friend Forever has acquired international rights of Alireza Khatami’s “The Things You Kill.” The film is in post-production. Khatami is already known for Cannes ...
Opening Title Production company Cast and crew Ref. J A N U A R Y: 7 Scream: Cal-Com: Byron Quisenberry (director/screenplay); Pepper Martin, Hank Worden, Ethan Wayne, Alvy Moore, Bobby Diamond, Woody Strode, Ann Bronston, Julie Marine, Nancy St. Marie, Joseph Alvarado, John Nowak, Joe Allaine, Cynthia Faria, Bella Bluck, Dee Cooper, Bob Macgonigal, Gino Difirelli, Gregg Palmer
December 2, 2021: Listening to Kenny G: December 6, 2021: The Forever Prisoner: December 7, 2021: Slow Hustle: December 9, 2021: Mr. Saturday Night: December 13, 2021: Street Gang: How We Got to Sesame Street: co-produced with Macrocosm Entertainment, The Exchange, BondIt Media Capital and Citizen Skull Productions; distributed by Screen Media ...
Shop Now. Ghost Story, directed by John Irvin, stars the legendary Fred Astaire as Ricky Hawthorne.Every year, Ricky takes a trip with his three buddies, Sears James, Dr. John Jaffrey, and Edward ...
The decade of the 1980s in Western cinema saw the return of studio-driven pictures, coming from the filmmaker-driven New Hollywood era of the 1970s. [1] The period was when the "high concept" picture was established by producer Don Simpson, [2] where films were expected to be easily marketable and understandable.