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The Marsyas Painter was an ancient Greek vase painter of the red-figure style active in Attica between 370 and 340/330 BC. The Marsyas Painter is sometimes considered the best of the Attic red-figure painters of the late 4th-century Kerch Style.
Standing 1.72 metres tall and with a diameter of 1.35 m., the vase has a deep frieze with bas-reliefs and an everted gadrooned lip over a gadrooned lower section, where paired satyrs' heads mark the former placement of loop handles; [3] it stands on a spreading fluted stem with a cabled motif round its base, on a low octagonal plinth.
The floristry business has a significant market in the corporate and social event world, as flowers play a large part in the decor of special events and meetings. Centerpieces, entryways, reception tables, bridal bouquets, wedding chuppahs, and stage sets are only a few examples of how flowers are used in the business and social event settings ...
The Wedding painter's name vase, a pyxis, ca.470/460 BC. Louvre L 55. Wedding Painter is the conventional name for an ancient Greek vase painter active in Athens from circa 480 to 460 BC. He painted in the red-figure technique. His name vase is a pyxis in the Louvre depicting the wedding of Thetis and Peleus.
The center of the vestibule featured a malachite vase measuring 9 feet (2.7 m) tall. The vase was acquired from the collection of Pavel Nikolaievich Demidov and had been made by Pierre-Philippe Thomire. [26] [28] On the south wall was a large pair of doors leading to a hallway in William Henry Vanderbilt's residence.
Vases generally share a similar shape. The foot or the base may be bulbous, flat, carinate, [1] or another shape. The body forms the main portion of the piece. Some vases have a shoulder, where the body curves inward, a neck, which gives height, and a lip, where the vase flares back out at the top. Some vases are also given handles.