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By the end of the late 2000s, very few cars were offered with cassette decks. The last vehicle model in the United States that came standard with a factory-installed cassette player was the 2010 Lexus SC 430, [19] however the Ford Crown Victoria came with a cassette deck as an option until the model was discontinued in 2011.
AM/FM stereo radio, so-dbb bass, Dobly B noise reduction, auto-reverse, cassette recorder WM-B52 1988 WM-503 1989 WM-AF54 1989 AM stereo/FM stereo radio, Sports WM-3000 1990 WM-3060 1990 WM-106 1990 WM-B603 1991 WM-GX320 1998 FM stereo, Mega bass, tape speed control, auto-reverse, continuous loop WM-GX400 2001
Visualization of the magnetic field on a stereo cassette containing a 1kHz audio tone. The cassette was the next step following reel-to-reel audio tape recording, although, because of the limitations of the cassette's size and speed, it initially compared poorly in quality. Unlike the 4-track stereo open-reel format, the two stereo tracks of ...
Another type of cassette adapter is the Bluetooth cassette adapter. It has the shape of a standard cassette, but has a built-in audio Bluetooth receiver module, a simple power supply to allow charging and power and a small battery. Usually, they may power on when the cassette player is set on play, and power off when the cassette player is stopped.
The spread of personal stereo devices contributed to tape cassettes outselling vinyl records for the first time in 1983. The introduction of the personal stereo coincided with the 1980s aerobics vogue, making it very popular to listen to music during workouts. Moreover, the prevalence of portable cassette players correlates with a 30-percent ...
By 1977, BSR's factories were producing over 250,000 units a week; the majority of record changers installed in console stereos and bookshelf stereo systems during this era were manufactured by BSR. [2] BSR also made tape recorder mechanisms. [3] Bang & Olufsen used BSR's TD2 tape deck in their Beocord Belcanto from 1962. [4]
XDR (expanded dynamic range), also known as SDR (super dynamic range) is a quality-control and duplication process for the mass-production of pre-recorded audio cassettes. It is a process designed to provide higher quality audio on pre-recorded cassettes by checking the sound quality at all stages of the tape duplication process.
Some typical cassette deck frequency response curves showing the effects of different bias settings are provided in the relevant figure. Time constant of replay equalization (often shortened to EQ) for Type I tapes equals 120 μs, as per the Philips specification. The time constant for Type II, III and IV tapes is set at a lower value of 70 μs.