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The Revox B215 is a cassette deck manufactured by Studer from 1985 until around 1990. A professional version with different control layout and audio path electronics was manufactured concurrently as the Studer A721. A later improved version was marketed as the Revox B215S.
The user would use this function (activated by an "Auto Cal" button) to optimize the deck to a specific brand of tape to get best recording results from every cassette. [4] Hence the 1000ZXL and 700ZXL were known as computing cassette decks. Also offered was a third less costly deck the 700ZXE auto tuning cassette deck.
A cassette deck is a type of tape machine for playing and recording audio cassettes that does not have a built-in power amplifier or speakers, and serves primarily as a transport. It can be a part of an automotive entertainment system, a part of a portable audio system or a part of a home component system .
The Nakamichi Dragon is an audio cassette deck that was introduced by Nakamichi in 1982 and marketed until 1994. The Dragon was the first Nakamichi model with bidirectional [a] replay capability and the world's first production tape recorder with an automatic azimuth correction system; this feature, which was invented by Philips engineers and improved by Niro Nakamichi, continuously adjusts ...
AM/FM stereo radio, so-dbb bass, Dobly B noise reduction, auto-reverse, cassette recorder WM-B52 1988 WM-503 1989 WM-AF54 1989 AM stereo/FM stereo radio, Sports WM-3000 1990 WM-3060 1990 WM-106 1990 WM-B603 1991 WM-GX320 1998 FM stereo, Mega bass, tape speed control, auto-reverse, continuous loop WM-GX400 2001
Cassette tape, a two-spool tape cassette format for analog audio recording and playback and introduced in 1963 by Philips; DC-International, a format that was created by Grundig after Phillips had abandoned an earlier format that was being created alongside the Compact Cassette; 8-track tape, continuous loop tape system introduced in 1964
Optonica amplifier (SM-3636) and tuner (ST-3636) from 1978. The Optonica brand was created and first launched by Sharp of Japan in 1975 to compete in the high-end audio market along with established brands such as Sansui Electric, Sony, Panasonic, Sanyo, Yamaha, Nakamichi, Onkyo, Fisher Electronics, Technics (brand), Pioneer Corporation, Kenwood Corporation, JVC, Harman Kardon and Marantz.
Some typical cassette deck frequency response curves showing the effects of different bias settings are provided in the relevant figure. Time constant of replay equalization (often shortened to EQ) for Type I tapes equals 120 μs, as per the Philips specification. The time constant for Type II, III and IV tapes is set at a lower value of 70 μs.