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In the latter essay, Long insisted that there was a difference between the study of nature and the study of science; whereas science concerned itself with laws and generalizations, the study of nature was far more complex as it allowed for the recognition of individual life forms. [38]
Woman, Culture, and Society, first published in 1974 (Stanford University Press), is a book consisting of 16 papers contributed by female authors and an introduction by the editors Michelle Zimbalist Rosaldo and Louise Lamphere.
The transparent eyeball is a philosophical metaphor originated by American transcendentalist philosopher Ralph Waldo Emerson. In his essay Nature, the metaphor stands for a view of life that is absorbent rather than reflective, and therefore takes in all that nature has to offer without bias or contradiction. Emerson intends that the individual ...
Adding women back into men's biographies, organizations they participated in, or other women's lives is another means of restoring the historical contributions of women. There may not be sufficient sourcing available now to meet Wikipedia notability standards, but as information becomes available, adequate information may come to light for a ...
Women in Ancient Greece wore himations; and in Ancient Rome women wore the palla, a rectangular mantle, and the maphorion. [ 54 ] The typical feminine outfit of aristocratic women of the Renaissance was an undershirt with a gown and a high-waisted overgown, and a plucked forehead and beehive or turban-style hairdo.
Illustration of Emerson's transparent eyeball metaphor in "Nature" by Christopher Pearse Cranch, ca. 1836-1838. Emerson uses spirituality as a major theme in the essay. Emerson believed in re-imagining the divine as something large and visible, which he referred to as nature; such an idea is known as transcendentalism, in which one perceives a new God and a new body, and becomes one with his ...
In English essay first meant "a trial" or "an attempt", and this is still an alternative meaning. The Frenchman Michel de Montaigne (1533–1592) was the first author to describe his work as essays; he used the term to characterize these as "attempts" to put his thoughts into writing. Subsequently, essay has been
Hélène Cixous first coined écriture féminine in her essay "The Laugh of the Medusa" (1975), where she asserts "woman must write her self: must write about women and bring women to writing, from which they have been driven away as violently as from their bodies" because their sexual pleasure has been repressed and denied expression.