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"The Short Happy Life of Francis Macomber" is a short story by Ernest Hemingway. Set in Africa, it was published in the September 1936 issue of Cosmopolitan magazine concurrently with "The Snows of Kilimanjaro". The story was eventually adapted to the screen as the Zoltan Korda film The Macomber Affair (1947).
In January 1887 Yakov Polonsky published a poem called "U dveri" (At the Door) with a dedication to Chekhov. In the 25 March 1888 letter Chekhov wrote to Polonsky: "I am going to release my new collection of stories. It will feature the one called "Happiness" which I consider my best ever. I'd like to ask for your permission to dedicate it to ...
Handwritten version of 'Happiness Makes Up in Height For What It Lacks in Length' by Robert Frost. Found inscribed in a Robert Frost book in the Special Collections Library at Duke University. Date of signature in the book predates formal release in publication of the poem. The Gift Outright; The Most of It; Come In; All Revelation [2] A ...
"Nothing Gold Can Stay" is a short poem written by Robert Frost in 1923 and published in The Yale Review in October of that year. It was later published in the collection New Hampshire (1923), [1] which earned Frost the 1924 Pulitzer Prize for Poetry. The poem lapsed into public domain in 2019. [2]
"Lines on Joe Locke" was a short, two stanza poem written to make fun of a commanding officer during Poe's time at West Point. Poe was known for his funny verses on staff and faculty at the academy. Lieutenant Locke was either generally not well-liked, or Poe had a more personal vendetta with him.
Among the short stories, the book includes Hemingway's previous volumes and added his latest published works "The Short Happy Life of Francis Macomber", "The Snows of Kilimanjaro", "The Capital of the World" and "Old Man at the Bridge" as well as his very first writing, "Up in Michigan". [6] [7] [8]
A poetry review in The New York Times called "Songs of the transformed" "a splendid series of animal poems ... [able] to capture the natural world and yet to manage to make a larger statement.", [1] and Manijeh Mannani of Athabasca University found that it "continue[s] the same thread of feminist concerns [of her previous poetry] with only the concluding poems of the collection reflecting the ...
The poem begins with the laughter and happiness of nature in the first stanza, personifying the wood, hills, and air. In the second stanza, Blake gradually goes on to the "grasshopper" and "Mary and Susan and Emily," the children who will also join in the singing of the "Ha, Ha, He."