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Shakespeare’s Debt to the Bible London: Hand and Heart Publishing Offices, 1879. Burgess, William. The Bible in Shakespeare: A Study of the Relation of the Works of William Shakespeare to the Bible New York: Thomas Y. Crowell Company, 1903. Burnet, R. A. L.
The phenomenon became important in the Victorian era when many writers treated Shakespeare's works as a secular equivalent or replacement to the Bible. [9] "This King Shakespeare," the essayist Thomas Carlyle wrote in 1840, "does not he shine, in crowned sovereignty, over us all, as the noblest, gentlest, yet strongest of rallying signs ...
By the beginning of the 19th century Bardolatry was in full swing and Shakespeare was universally celebrated as an unschooled supreme genius and had been raised to the statute of a secular god and many Victorian writers treated Shakespeare's works as a secular equivalent to the Bible. [6] "That King Shakespeare," the essayist Thomas Carlyle ...
In Shakespeare's play, Portia is a wealthy heiress in Belmont. She is bound by a lottery outlined in her father's will, which allows potential suitors to choose one of three caskets made of gold, silver, and lead, respectively. If they choose the correct casket containing Portia's portrait and a scroll, they win her hand in marriage.
Naseeb Azeez Shaheen ( June 21, 1931 - September 26, 2009) was an American scholar who specialized in Biblical allusions in the work of Shakespeare.. Born in Chicago, he graduated in 1962 from the American University of Beirut in Lebanon with a Bachelor of Arts.
In 1559, five years before Shakespeare's birth, the Elizabethan Religious Settlement finally severed the Church of England from the Roman Catholic Church.In the ensuing years, extreme pressure was placed on England's Catholics to accept the practices of the Church of England, and recusancy laws made illegal any service not found in the Book of Common Prayer, including the Roman Catholic Mass. [5]
Subsequent investigation by the New Oxford Shakespeare published in the edition's Authorship Companion found that scene 4.1 is in fact by Shakespeare not Peele [89] and that the Fly Scene (3.2), present only in 1623 Folio edition, is a late addition to the play, probably made by Thomas Middleton after Shakespeare died in 1616. [90]
It was the primary Bible of 16th-century English Protestantism and was used by William Shakespeare, [3] Oliver Cromwell, John Knox, John Donne and others. It was one of the Bibles taken to America on the Mayflower ( Pilgrim Hall Museum has collected several Bibles of Mayflower passengers ), and its frontispiece inspired Benjamin Franklin 's ...