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A pun, also known as a paronomasia in the context of linguistics, is a form of word play that exploits multiple meanings of a term, or of similar-sounding words, for an intended humorous or rhetorical effect. [3] These ambiguities can arise from the intentional use of homophonic, homographic, metonymic, or figurative language.
Paronomasia – a pun, a play on words, often for humorous effect. Pathos – the emotional appeal to an audience in an argument; one of Aristotle's three proofs. Periphrasis – the substitution of many or several words where one would suffice; usually to avoid using that particular word.
Paronomasia: pun in which similar-sounding words but words having a different meaning are used. Pathetic fallacy: ascribing human conduct and feelings to nature. Personification: attributing or applying human qualities to inanimate objects, animals, or natural phenomena. Pleonasm: the use of more words than is necessary for clear expression.
Paronomasia (a term often treated as a formal term for a pun) changes a sound or a letter in a word to make it sound similar to another word with a different meaning; these three figures are most relevant in highly inflected languages with cases like Latin, and the Rhetorica ad Herennium states they are best used in speeches of entertainment.
Double entendres generally rely on multiple meanings of words, or different interpretations of the same primary meaning. They often exploit ambiguity and may be used to introduce it deliberately in a text. Sometimes a homophone can be used as a pun. When three or more meanings have been constructed, this is known as a "triple entendre," etc. [4]
Pun or paronomasia - A form of word play that exploits multiple meanings of a term, or of similar-sounding words. Antanaclasis – The stylistic trope of repeating a single word, but with a different meaning each time; antanaclasis is a common type of pun, and like other kinds of pun, it is often found in slogans.
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Linguist Robert Hetzron offers the definition: A joke is a short humorous piece of oral literature in which the funniness culminates in the final sentence, called the punchline… In fact, the main condition is that the tension should reach its highest level at the very end. No continuation relieving the tension should be added.