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Variations on a theme from the ballet of Salvatore Viganò Il noce di Benevento , music by Franz Xaver Süssmayr. First performed at a solo concert in La Scala on October 29, 1813. The audience was so impressed that they requested a repeat. [ 4 ]
Paganini in 1836 by John Whittle. Niccolò (or Nicolò) Paganini (/ p æ ɡ ə ˈ n iː n i, p ɑː ɡ ə-/; Italian: [ni(k)koˈlɔ ppaɡaˈniːni] ⓘ; 27 October 1782 – 27 May 1840) was an Italian violinist and composer. He was the most celebrated violin virtuoso of his time, and left
Nicolo Paganini: His Life and Work. London: E. Shore & Co. ISBN 0-559-80636-1. Philippe Borer, The Twenty-Four Caprices of Niccolò Paganini. Their significance for the history of violin playing and the music of the Romantic era, Stiftung Zentralstelle der Studentenschaft der Universität Zürich, Zurich, 1997
Concerto in A Major for Violin, French horn and Orchestra (1927) Alexander Tchaikovsky. Concerto for Violin, Viola and orchestra (1988) Anatol Vieru. Concerto for violin, cello, and orchestra (1979) Robert Ward. Dialogues, a Triple Concerto for violin, cello, piano and orchestra (1986–2002) Mark Wessel
Caprice No. 13, nicknamed Devil's Laughter or Devil's Chuckle, [1] is one of Niccolò Paganini's renowned 24 Caprices for Solo Violin. It is the only one of the suite that is in the key of B-flat major. [2] This solo violin piece starts out with scale-like double-stopped passages at a moderate speed.
Jeff Nelsen – Performed Caprice No. 24 on French Horn with Canadian Brass; Gregor Piatigorsky – Variations on a Paganini Theme, for cello and orchestra (1946), later arranged for cello and piano; Simon Proctor – Paganini Metamorphasis, for solo piano; Frank Proto – Capriccio di Niccolo for Trumpet and Orchestra (1994).
Gary Kulesha: Variations on a Theme by Paganini (trumpet and piano; 1974, rev. 1982) Lowell Liebermann: Rhapsody on a Theme of Paganini for piano and orchestra (2001) Franz Liszt: Grandes études de Paganini No. 3 and No. 6 (piano; 1851), revised from the earlier Études d'exécution transcendante d'après Paganini of 1838
Caprice No. 5 is one of 24 caprices for solo violin composed by virtuoso violinist Niccolò Paganini in the early 19th century. The piece is known for its fast tempo and technical difficulty. Paganini is said to have been able to play it on one string, but there is no evidence to support or refute this. [1]