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After the chart failure of "Memorabilia", Phonogram Records allowed Soft Cell to record a second and final single in an attempt to score a chart success. The band opted to record a cover version of "Tainted Love", an obscure 1965 northern soul track originally released by Gloria Jones (the girlfriend of Marc Bolan at the time of his death) and written by Ed Cobb of the Four Preps.
It should only contain pages that are Soft Cell songs or lists of Soft Cell songs, as well as subcategories containing those things (themselves set categories). Topics about Soft Cell songs in general should be placed in relevant topic categories .
"Softcore" is a song by American alternative band the Neighbourhood from their third studio album The Neighbourhood. It was written in 2017 by the band members Jesse Rutherford, Brandon Fried, Jeremiah Freedman, Zachary Abels and Michael Margott with producer Lars Stalfors.
The song was covered by English artist David Gray and released on his successful 1998 album White Ladder. It was the album's fifth proper and final single and reached #26 on the UK Singles Chart. [16] Gray's version, like his live performances, features additional lines at the end from the Van Morrison songs "Madame George" and "Into the Mystic ...
Memorabilia – The Singles is a compilation album of songs by the British singer/songwriter Marc Almond, both as a solo artist and with his partner Dave Ball as the synth-pop duo Soft Cell. It was released in 1991 and reached number eight in the UK Albums Chart. [1]
"Tainted Love" is a song composed by Ed Cobb, formerly of American group the Four Preps, which was originally recorded by Gloria Jones in 1964. [3] In 1981, the song attained worldwide fame after being covered and reworked by British synth-pop duo Soft Cell for their album Non-Stop Erotic Cabaret. The song has since been covered by numerous ...
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"Bedsitter" is a song by British synth-pop duo Soft Cell, from the album Non-Stop Erotic Cabaret. Released as a single in early 2 November 1981, it reached No. 4 in the UK. [5] A song that explored the underbelly of the London club scene of the time, it has been described by critic Jon Savage as one of the greatest songs of the 1980s. [6]