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Aesthetics (also spelled esthetics) is the branch of philosophy concerned with the nature of beauty and the nature of taste and, in a broad sense, incorporates the philosophy of art. [1] Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; [ 2 ] thus, the function of aesthetics is ...
"Outline of aesthetics". Internet Encyclopedia of Philosophy. Medieval Theories of Aesthetics article in the Internet Encyclopedia of Philosophy; Revue online Appareil; Postscript 1980- Some Old Problems in New Perspectives; Aesthetics in Art Education: A Look Toward Implementation; More about Art, culture and Education; An history of aesthetics
James Shelley in his article The Concept of the Aesthetic notes that the term "aesthetic" in deriving from the Greek aesthesis, which means perception or awareness, tends towards the latter interpretation; [18] George Dickie in his book Art and the Aesthetic charts the development of awareness and consciousness in their growing importance to ...
While the meanings of words often change as a result of cultural developments, Baumgarten's reappraisal of aesthetics is often seen as a key moment in the development of aesthetic philosophy. [6] Previously the word aesthetics had merely meant "sensibility" or "responsiveness to stimulation of the senses" in its use by ancient writers.
The Peacock Room, designed in the Anglo-Japanese style by James Abbott McNeill Whistler and Edward Godwin, one of the most famous and comprehensive examples of Aesthetic interior design Aestheticism (also known as the aesthetic movement ) was an art movement in the late 19th century that valued the appearance of literature , music , fonts and ...
Lectures on Aesthetics (LA; German: Vorlesungen über die Ästhetik, VÄ) is a compilation of notes from university lectures on aesthetics given by Georg Wilhelm Friedrich Hegel in Heidelberg in 1818 and in Berlin in 1820/21, 1823, 1826 and 1828/29.
Applied aesthetics is the application of the branch of philosophy of aesthetics to cultural constructs. In a variety of fields, artifacts (whether physical or abstract) are created that have both practical functionality and aesthetic affectation.
The work most crucial to aesthetics as a strand of philosophy is the first half of his Critique of the Power of Judgment, the Critique of the Aesthetic Power of Judgment. It is subdivided in two main parts - the Analytic of the Beautiful and the Analytic of the Sublime, but also deals with the experience of fine art.