When.com Web Search

Search results

  1. Results From The WOW.Com Content Network
  2. Standard-dynamic-range video - Wikipedia

    en.wikipedia.org/wiki/Standard-dynamic-range_video

    SDR video with a conventional gamma curve and a bit depth of 8-bits per sample has a dynamic range of about 6 stops, assuming a luminance quantisation threshold of 5% is used. [10] A threshold of 5% is used in the paper (instead of the standard 2% threshold) to allow for the typical display being dimmer than ideal.

  3. Hybrid log–gamma - Wikipedia

    en.wikipedia.org/wiki/Hybrid_log–gamma

    Chart showing a conventional SDR gamma curve and the hybrid log–gamma curve. HLG uses a logarithmic curve for the upper half of the signal values, which allows for a larger dynamic range. HLG is an HDR format that uses the HLG transfer function, BT.2020 color primaries and a bitdepth of 10-bit. [8] HLG was designed to be backward compatible ...

  4. High-dynamic-range television - Wikipedia

    en.wikipedia.org/wiki/High-dynamic-range_television

    HLG format is an HDR format that can be used for video and still images. [26] [27] It uses the HLG transfer function, Rec. 2020 color primaries, and a bit depth of 10 bits. [28] The format is backwards compatible with SDR UHDTV, but not with older SDR displays that do not implement the Rec. 2020 color standards.

  5. High dynamic range - Wikipedia

    en.wikipedia.org/wiki/High_dynamic_range

    HDR formats refers to formats such as HDR10, HDR10+, Dolby Vision and HLG. HDR video refers to a video encoded in an HDR format. Thoses HDR video have a greater bit depth, luminance and color volume than standard dynamic range (SDR) video which uses a conventional gamma curve. [22]

  6. List of broadcast video formats - Wikipedia

    en.wikipedia.org/.../List_of_broadcast_video_formats

    Shooting video in 30p mode gives no interlace artifacts but can introduce judder on image movement and on some camera pans. The widescreen film process Todd-AO used this frame rate in 1954–1956. [11] 48p is a progressive format and that is being trialled in the film industry. At twice the traditional rate of 24p, this frame rate attempts to ...

  7. Rec. 709 - Wikipedia

    en.wikipedia.org/wiki/Rec._709

    First is the potential for distracting motion artifacts due to interlaced video content. The solution is to either up-convert only to an interlaced BT.709 format at the same field rate, and scale the fields independently, or use motion processing to remove the inter-field motion and deinterlace, creating progressive frames. In the latter case ...

  8. Rec. 2100 - Wikipedia

    en.wikipedia.org/wiki/Rec._2100

    A future-use and intermediate linear RGB format using IEEE 16 bit floating point representation for each channel is also specified. For narrow range color, 10-bit per sample signals use video levels where the black level is defined as 64, achromatic gray level as 512 and the nominal peak as 940 in RGB, Y, and I encoding and 960 in Cb/Cr, and Ct ...

  9. Comparison of video container formats - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_video...

    Some are combinations of common container formats and audio and video coding profiles, such as AVCHD and DivX formats. Although sometimes compared to DivX products, Xvid is neither a container format nor a video format, it is a software library that encodes video using specific coding profiles of the common MPEG-4 ASP video format. Those types ...