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Artemisia Lomi or Artemisia Gentileschi (US: / ˌ dʒ ɛ n t i ˈ l ɛ s k i /; [1] [2] Italian: [arteˈmiːzja dʒentiˈleski]; 8 July 1593 – c. 1656) was an Italian Baroque painter. Gentileschi is considered among the most accomplished 17th-century artists, initially working in the style of Caravaggio .
3/5 Laura Knight and Artemisia Gentileschi feature among a vast array of little-known female artists in this expansive survey at Tate Britain, but some of the work on display only underlines the ...
Artemisia is a 1997 French-German-Italian biographical film about Artemisia Gentileschi, the female Italian Baroque painter. [3] The film was directed by Agnès Merlet , and stars Valentina Cervi and Michel Serrault .
The following is an incomplete list of works by Artemisia Gentileschi. Catalogue numbers abbreviated "WB" are taken from the 1999 publication by Raymond Ward Bissell, [1] and number abbreviated "MET" are from the 2001 publication by the Metropolitan Museum of Art. Other attributions are taken from Jesse Locker's The Language of Painting.
Her life is pieced together in the Getty's 'Artemisia Gentileschi' biography — part of a series on women artists of the Renaissance and Baroque eras.
Artemisia Gentileschi’s painting skills quickly surpass her father’s, but society dictates that as a woman, she must stay home and protect her virtue. Author Elizabeth Fremantle deftly paints ...
Susan Joyce Vreeland (January 20, 1946 – August 23, 2017) was an American author.Several of her books deal with the relationship between art and fiction. [1] The Passion of Artemisia is a fictionalized investigation of some aspects of the life of Artemisia Gentileschi, [2] while Girl in Hyacinth Blue centers round an imaginary painting by Vermeer.
In the 1997 film Artemisia, directed by Agnès Merlet and starring Valentina Cervi, the role of Tassi is played by Serbian actor Miki Manojlovic. The movie, contrary to accepted historical knowledge and Tassi's conviction for rape, depicted the relationship between Tassi and Artemisia Gentileschi as one of mutual passion. [8]