Search results
Results From The WOW.Com Content Network
The Palomar Ballroom, built in 1925, was a famous ballroom in Los Angeles, California, in the United States. It was destroyed by a fire on October 2, 1939. [1] [2]
The Palomar engagement was such a marked success that it is often described as the beginning of the swing era. [22] According to Donald Clarke, "It is clear in retrospect that the Swing Era had been waiting to happen, but it was Goodman and his band that touched it off." [22] The reception of American swing was less enthusiastic in Europe.
Benny Goodman took this same tune in the Henderson arrangement and recorded it in 1935; the record itself is acknowledged as a catalyst for the swing era, and Goodman playing Henderson arrangements at the Palomar Ballroom on August 21, 1935, is generally looked upon as the launch of the big band craze that would dominate American popular music ...
Goodman's slot was after midnight in the East, and few people heard it. It was on earlier on the West Coast and developed the audience that later led to Goodman's Palomar Ballroom triumph. At the Palomar engagement starting on 21 August 1935, audiences of young white dancers favored Goodman's rhythm and daring arrangements.
In 1939, in a gesture that was warmly appreciated and admired, Count Basie (who was booked 2 days after) lent Barnet some of his charts after his instruments, notes and arrangements had been destroyed in the famous fire at the Palomar Ballroom in Los Angeles (October 2, 1939), which prevented Barnet's last show there. [8]
Many others were destroyed in the 1939 fire at the Palomar Ballroom in Los Angeles. [11] Bandleader Glenn Miller hired May away from Barnet in 1940. "May points out that he was not responsible for any of the [Glenn Miller] band's signature hits, but he did write the beautiful left-field introduction to [Bill] Finegan's [arrangement of ...
For premium support please call: 800-290-4726 more ways to reach us more ways to reach us
With Berigan and Krupa both on board, the Goodman band made the tour that ended at the Palomar Ballroom in Los Angeles, [1] the performance often credited with the launch of the swing era. [5] Berigan recorded a number of solos while with Goodman, including "King Porter Stomp", "Sometimes I'm Happy", and "Blue Skies".