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Noli me tangere, also known as Christ Appearing to Mary Magdalene in the Garden, is a c. 1525 [1] painting by Correggio which depicts the noli me tangere interaction between Jesus and Mary Magdalene shortly after the Resurrection.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
Noli me tangere/Premessa; Usage on ja.wikipedia.org ノリ・メ・タンゲレ; Usage on pl.wikipedia.org Martin Schongauer; Usage on sl.wikipedia.org Martin Schongauer; Usage on tl.wikipedia.org Noli me tangere (parilala) Usage on www.wikidata.org Q12901220; Wikidata:WikiProject sum of all paintings/Main subject/Noli me tangere
Noli me tangere (Angelico) Opere di Beato Angelico; Usage on ja.wikipedia.org サン・マルコ美術館; Usage on nrm.wikipedia.org Nouvel Testament; Usage on pl.wikipedia.org Maria Magdalena; Noli me tangere (obraz Fra Angelica) Usage on pt.wikipedia.org Museu Nacional de São Marcos; Usage on simple.wikipedia.org Noli me tangere; Usage on ...
Tommaso_di_Piero,_noli_me_tangere,1510.jpg (287 × 370 pixels, file size: 29 KB, MIME type: image/jpeg) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Noli me Tangere by Antonio da Correggio, c. 1525. Noli me tangere ('touch me not') is the Latin version of a phrase spoken, according to John 20:17, by Jesus to Mary Magdalene when she recognized him after His resurrection. The original Koine Greek phrase is Μή μου ἅπτου (mḗ mou háptou).
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
Noli me tangere is an oil-on-canvas painting by Andrea del Sarto, executed c. 1510, depicting Jesus and Mary Magdalene soon after the resurrection. It was the first painting he produced for the Augustinian San Gallo church in Florence , as recorded by Anonimo Magliabechiano and in Vasari's Lives of the Artists , and he later produced the San ...