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A gooseneck is a semi-rigid, flexible joining element made from a coiled metal hose. Similar to its natural counterpart , it can be bent in almost any direction and remain in that position. [ 1 ] Areas of application for goosenecks are movable brackets for lights , magnifying glasses , microphones and other devices. [ 2 ]
Neumann U 87 with shock mount. Introduced in 1967 as the solid-state successor to the U 67, [4] [5] [1] Neumann introduced the U 87 alongside the KM 86, KM 84, and KM 83 as part of the company's first 'FET 80' series of microphones that utilized use solid-state FET electronics that didn't require separate power supplies or multi-pin power cables and allowed the mics to be made smaller. [6]
Raymond A. Litke (1920-1986) was an American electronic engineer, the inventor of a practical wireless microphone, and the first to patent the wireless microphone.He was born and raised on a farm near Alma, Kansas, but spent most of his adult life in San Jose, California.
The boundary microphone can be used as a piano mic by placing it inside the piano lid, an approach which can obtain better pickup of the piano's mix of sharp percussive transients and gentle undertones than other microphone options. Boundary mics are used on hockey boards for body check sound effects. They are also commonly used to record full ...
A microphone stand. A microphone stand is a free-standing mount for a microphone. It allows the microphone to be positioned in the studio, on stage or on location without requiring a person to hold it. The most basic microphone stand is a straight stand.
Shure Brothers microphone, model 55S, multi-impedance "Small Unidyne" dynamic from 1951. A microphone, colloquially called a mic (/ m aɪ k /), [1] or mike, [a] is a transducer that converts sound into an electrical signal.
A lavalier microphone mounted on a T-shirt. A lavalier microphone or lavalier (also known as a lav, lapel mic, clip mic, body mic, collar mic, neck mic or personal mic) is a small microphone used for television, theater, and public speaking applications to allow hands-free operation.
The directionality of the 77-DX is variable. A rotating backshutter on the acoustic labyrinth, controlled by a screwdriver-operated slot at the rear of the microphone, allows the user to vary the microphone's pattern from omnidirectional in the fully closed position, to cardioid, to figure-8 (bidirectional) in the fully open position.