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Influential on the development of the neo-psychedelia and college rock music genres and on a number of bands, especially R.E.M. [24] [25] Pitchfork's Top 100 Albums of the 1980s: #65 [6] FACT's The 100 Best Albums of the 1980s: #47 [5] Rolling Stone's "80 Greatest albums of 1980": #63 [4] Robert Dimery's 1001 Albums You Must Hear Before You Die ...
The Call (band) Carabao (band) Carrapicho; Carte de Séjour; Ceramic Hello; Certain General; Chamber Opera Theater of New York; Channel 3 (band) Ché-Shizu; The Chesterfield Musketeers Showband; The Chills; The Church (band) Cleveland Chamber Symphony; HaClique; Collage (American band) Colne Valley Youth Orchestra; Condemned 84; Cook da Books ...
The template can also be used for adding a description to the ==Summary== section of an uploaded image. See an example at File:Kingspadeselftitled.jpg#Summary. This template is adapted from the infobox for albums, the {{Infobox album}} template. Please see that template's documentation for details as indicated below. The table below is an example.
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Alternative bands built underground followings by touring constantly and regularly releasing low-budget albums. In the case of the United States, new bands would form in the wake of previous bands, which created an extensive underground circuit in America, filled with different scenes in various parts of the country. [24]
The Billboard Hot 100 is the main song chart of the American music industry and is updated every week by the Billboard magazine. During the 1980s the chart was based collectively on each single's weekly physical sales figures and airplay on American radio stations.
"Peek-a-Boo" by English rock band Siouxsie and the Banshees was the first song to top the Modern Rock Tracks chart. Alternative Airplay is a record chart that ranks the most-played songs on American modern rock radio stations. Published by the music industry magazine Billboard, it was created in the midst of the growing popularity of alternative music on rock radio in the late 1980s. As less ...
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