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A Stereo Realist camera. The Stereo Realist is a stereo camera that was manufactured by the David White Company from 1947 to 1971. It was the most popular 35 mm stereo camera ever manufactured [1] and started the era of popular stereo photography of the mid 20th century.
Description. The K1000, introduced in 1976, is the simplest member of Asahi Optical's Pentax K-series 35mm SLRs. The other members are the Pentax K2, KM, and KX, introduced in 1975, and the K2 DMD of 1976. All have the same basic body design, but with differing feature levels, electronics, and controls. The K1000 was the KM with the self-timer ...
Techniscope or 2-perf is a 35 mm motion picture camera film format introduced by Technicolor Italia in 1960. [1] The Techniscope format uses a two film- perforation negative pulldown per frame, instead of the standard four-perforation frame usually exposed in 35 mm film photography. Techniscope's 2.33:1 aspect ratio is easily enlarged to the 2. ...
Exposure. 35mm format (24×36 mm) on 135 film. The Kodak 35 was introduced in 1938 as the first US manufactured 35 mm camera from Eastman Kodak Company. It was developed in Rochester, New York when it became likely that imports from the Kodak AG factory in Germany could be disrupted by war. While Kodak had invented the Kodak 135 daylight ...
The Kodak Stereo Camera was a Realist Format camera released late in 1954. It used 35mm slide film to produce stereo pair images in the standard 5P Realist format. This allowed Kodak Stereo Camera owners to use most accessories and services originally designed for the Stereo Realist. It was the second best selling stereo camera of the 1950s era ...
Canon A-1 with a FD 50/1.8 Viewfinder of a Canon A-1. The right number is the current F-number (1.8), meaning that the aperture is fairly wide open. The left number (45) indicates the approximate shutter speed of 45 −1 s (the camera can select odd shutter speeds, but does not display them)