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The usual frame size of 35mm still cameras is 24×36 mm, however half-frame cameras typical use an image area of 18×24 mm. One net result of this is that a roll of film can typically contain twice the number of exposures as in a full frame 35mm camera (that is, a roll that is nominally 36 exposures allows 72 in the half-frame format).
Techniscope or 2-perf is a 35 mm motion picture camera film format introduced by Technicolor Italia in 1960. [1] The Techniscope format uses a two film- perforation negative pulldown per frame, instead of the standard four-perforation frame usually exposed in 35 mm film photography. Techniscope's 2.33:1 aspect ratio is easily enlarged to the 2. ...
Exposure. 35mm format (24×36 mm) on 135 film. The Kodak 35 was introduced in 1938 as the first US manufactured 35 mm camera from Eastman Kodak Company. It was developed in Rochester, New York when it became likely that imports from the Kodak AG factory in Germany could be disrupted by war. While Kodak had invented the Kodak 135 daylight ...
A Stereo Realist camera. The Stereo Realist is a stereo camera that was manufactured by the David White Company from 1947 to 1971. It was the most popular 35 mm stereo camera ever manufactured [1] and started the era of popular stereo photography of the mid 20th century.
A motion picture film scanner is a device used in digital filmmaking to scan original film for storage as high-resolution digital intermediate files. [1] A film scanner scans original film stock: negative or positive print or reversal/IP. Units may scan gauges from 8 mm to 70 mm (8 mm, Super 8, 9.5 mm, 16 mm, Super 16, 35 mm, Super 35, 65 mm ...
Comparing the film area of Super 35 (framed for 2.39) to CinemaScope, standard widescreen and Techniscope. Super 35 (originally known as Superscope 235) is a motion picture film format that uses exactly the same film stock as standard 35 mm film, but puts a larger image frame on that stock by using the space normally reserved for the optical analog sound track.