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The snare drum (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in orchestras, concert bands, marching bands, parades, drumlines, drum corps, and
These rare snare drums are considered highly collectible today. Among his inventions is a rare jazz instrument similar to the Bock-a-da-bock, a hand-held cymbal apparatus called the "Ludwig Gladstone Cymbal" when it was introduced by the Ludwig Drum Company in 1927. In 1929, the Leedy Drum Company listed it in their catalogue as the "Hand Sock ...
The single snare can be made from gut, silk, or rough hemp. [4] Each tabor has a pitch range of about an octave: the larger the tabor, the lower the pitch. It is played by just one short conical stick, made from bone or ivory, [4] which usually strikes the snare head. The tabor is suspended by a strap from the forearm, somewhere between the ...
A conventional three-piece kit consists of a bass drum, snare drum (14" diameter), hi-hat (12–14"), hanging tom (12 x 8-9" depth), and a suspended 14"–18" cymbal, the latter two mounted on the bass drum. These kits were most common in the 1950s and 1960s. [31] It is a common configuration for children.
The factory closed in the late 1930s and the equipment was idle until 1950 when Ralph Eames purchased it, using it to make Eames rope-tensioned parade drums. Today, some of Stone's equipment is still used by the Eames Drum Company in Saugus, MA, in the manufacture of its drum shells. Stone continued to be active as a teacher through the 1940s.
As well as drum kits, Pearl is a renowned producer of snare drums. Low-end kits (Vision series and lower) come standard with snare drums, and higher-end series have snares which must be bought separately. Individual snares, as well as artists' signature snares, are also available.
Direct descendants and spiritual heirs of disco, house, and techno producers in Chicago and Detroit translated Earl Young’s four-on-the-floor beat onto their Roland Tr-707, 808, and 909 drum ...
In 1925, he contributed to Carl Fischer's Drum Fife and Bugle Corps Leaflets along with Francis Findlay and W.A. Maynard. [11] 3 of the 8 lessons in the leaflets were on the snare drum and each leaflet cost 10 cents. Gardner wrote several volumes of Progressive Studies for the Snare Drum, the first of which was published in 1928.