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Reel of magnetic audiotape A damaged cassette tape. Sticky-shed syndrome is a condition created by the deterioration of the binders in a magnetic tape, which hold the ferric oxide magnetizable coating to its plastic carrier, or which hold the thinner back-coating on the outside of the tape. [1] This deterioration renders the tape unusable. [2]
The 1970s saw the inclusion of a deck for playing cassette tapes in addition to the turntable and receiver components. The cassette deck was either a top-loading unit beside the turntable or a front-loading unit mounted on a deeper front panel. [4] "Midi" system, circa 1980s. Quadraphonic sound was released in 1970 and never gained much popularity.
Typical top loading stereo cassette deck from mid-1970s A typical portable desktop cassette recorder from RadioShack. The first consumer tape recorder to employ a tape reel permanently housed in a small removable cartridge was the RCA tape cartridge, which appeared in 1958 as a predecessor to the cassette format.
The perception of analog audio being demonstrably superior was also called into question by music analysts following revelations that audiophile label Mobile Fidelity Sound Lab had been covertly using Direct Stream Digital files to produce vinyl releases marketed as coming from analog master tapes, with lawyer and audiophile Randy Braun stating ...
The Nakamichi Dragon is an audio cassette deck that was introduced by Nakamichi in 1982 and marketed until 1994. The Dragon was the first Nakamichi model with bidirectional [a] replay capability and the world's first production tape recorder with an automatic azimuth correction system; this feature, which was invented by Philips engineers and improved by Niro Nakamichi, continuously adjusts ...
Standard tape speeds varied by factors of two: 15 and 30 in/s were used for professional audio recording; 7 + 1 ⁄ 2 in/s (19.1 cm/s) for home audiophile prerecorded tapes; 7 + 1 ⁄ 2 and 3 + 3 ⁄ 4 in/s (19.1 and 9.5 cm/s) for audiophile and consumer recordings (typically on 7 in (18 cm) reels).
The Dragon cassette deck used a special circuit for azimuth adjustment called "Nakamichi Automatic Azimuth Correction" (NAAC) to find the best sound for each recorded cassette tape, however because it was both expensive to manufacture and more complex as well as difficult to both service and maintain, Nakamichi sought to produce a new deck with ...
Studer AG, a privately owned Swiss manufacturer of professional audio equipment, began development of high fidelity cassette recorders in late 1970s. Willi Studer was reluctant to diversify into the highly competitive cassette deck market; for most of the decade, the company's experience in cassette technology was limited to reliable but low-fidelity classroom equipment.