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  2. Phrygian dominant scale - Wikipedia

    en.wikipedia.org/wiki/Phrygian_dominant_scale

    The Phrygian dominant scale is often used in jazz composition and improvisation over secondary dominants of minor chords in a major key, such as the VI 7 chord in a VI 7-ii 7-V 7-I progression. Some modal jazz compositions, such as "Nardis" by Miles Davis, are composed in the Phrygian dominant mode.

  3. Phrygian mode - Wikipedia

    en.wikipedia.org/wiki/Phrygian_mode

    The Phrygian dominant is also known as the Spanish gypsy scale, because it resembles the scales found in flamenco and also the Berber rhythms; [4] it is the fifth mode of the harmonic minor scale. Flamenco music uses the Phrygian scale together with a modified scale from the Arab maqām Ḥijāzī [5] [6] (like the Phrygian dominant but with a ...

  4. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    Phrygian dominant scale: Phrygian dominant on C. Play ... Bebop scale; Chord-scale system; Heptatonic scale; Jazz scale; List of chord progressions; List of chords;

  5. Gypsy scale - Wikipedia

    en.wikipedia.org/wiki/Gypsy_scale

    Hungarian minor scale, minor scale with raised fourth and seventh degrees, also known as Double Harmonic minor scale. Phrygian dominant scale, also known as Freygish or Jewish scale; Spanish Gypsy or Spanish Phrygian scale. [2]

  6. Andalusian cadence - Wikipedia

    en.wikipedia.org/wiki/Andalusian_cadence

    A minor seventh would be added to the dominant "V" chord to increase tension before resolution (V 7 –i). [2] The roots of the chords belong to a modern phrygian tetrachord (the equivalent of a Greek Dorian tetrachord, [10] the latter mentioned above), that is to be found as the upper tetrachord of a natural minor scale (for A minor, they are: A G F E).

  7. Mode (music) - Wikipedia

    en.wikipedia.org/wiki/Mode_(music)

    Dorian harmonic (♯4) scale: Phrygian dominant scale, altered Phrygian scale, dominant ♭2 ♭6 scale (in jazz), Freygish scale, Phrygian harmonic (♮3) scale: Lydian harmonic (♯2) scale: super Locrian 7 scale, altered diminished scale: harmonic minor, Aeolian harmonic (♮7) scale: Locrian harmonic (♮6) scale: Ionian harmonic (♯5) scale,

  8. Double harmonic scale - Wikipedia

    en.wikipedia.org/wiki/Double_harmonic_scale

    The scale contains a built-in tritone substitution, a dominant seventh chord a half step above the root, with strong harmonic movement towards the tonic chord. The double harmonic scale is not commonly used in classical music from Western culture , as it does not closely follow any of the basic musical modes , nor is it easily derived from them.

  9. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    IV-V-I-VI chord progression in C major: 4: ... ii-V-I with ♭ III + as dominant ... DOG EAR Tritone Substitution for Jazz Guitar, Amazon Digital Services, Inc., ...