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Parasite (Korean: 기생충; RR: Gisaengchung) is a 2019 South Korean black comedy [8] thriller film directed by Bong Joon-ho, who co-wrote the film with Han Jin-won.The film, starring Song Kang-ho, Lee Sun-kyun, Cho Yeo-jeong, Choi Woo-shik, Park So-dam, Jang Hye-jin, Park Myung-hoon, and Lee Jung-eun, follows a poor family who infiltrate the life of a wealthy family.
Parasite (Korean: 기생충; RR: Gisaengchung) is a 2019 South Korean black comedy thriller film directed by Bong Joon-ho, who co-wrote the screenplay with Han Jin-won.The film, which stars Song Kang-ho, Lee Sun-kyun, Cho Yeo-jeong, Choi Woo-shik, Park So-dam and Jang Hye-jin, follows a poor family as they get employed by a wealthy family and gradually infiltrate their household.
Parasite has now arrived on Netflix, and if you're confused about its ending, ... "Maybe if the movie ended where they hug and fades out, the audience can imagine, 'Oh, it's impossible to buy that ...
Parasite is a 1982 American science fiction horror film produced and directed by Charles Band.The film is set in a dystopian, post-apocalyptic future in which the United States has been taken over by a criminal organization which unwittingly creates an uncontrollable deadly parasite and sets it loose on the population.
Cannes has always offered a home to both audacious genre filmmaking and politically engaged, social issue cinema but it’s usually been an either/or proposition.Festival juries, meanwhile, have ...
Look over the list of Best Picture winners over the years and you realise that almost every film selected is still in circulation.. William Wellman’s Wings, the very first winner in 1927, is ...
Parasite (Original Motion Picture Soundtrack) is the soundtrack album to the Academy Award-winning South Korean film Parasite directed by Bong Joon-ho.It was released under the Genie Music and Stone Music Entertainment labels on 30 May 2019, the same day as the film's release and featured musical score composed by Jung Jae-il, who previously collaborated with Bong for Okja (2017).
The critically-acclaimed Korean-language film has paved the way for more discussion about translation of foreign language films in the form of debate about subtitles versus dubbing.