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An appeal to self-interest during World War II, by the United States Office of War Information (restored by Yann) Wait for Me, Daddy , by Claude P. Dettloff (restored by Yann ) Selection on the ramp at Auschwitz-Birkenau at Auschwitz Album , by the Auschwitz Erkennungsdienst (restored by Yann )
Mauldin retired in 1991. The pair reappeared in a 1998 Veterans Day strip of the popular comic Peanuts, using art that had been copied out of a 1944 Willie and Joe panel. [10] Charles M. Schulz, creator of Peanuts and himself a World War II Infantry combat veteran, was a personal friend of Mauldin's and considered him a hero. [11]
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These pictures were presented at large-scale exhibitions during the war years; After the end of World War II, Americans took possession of Japanese artwork. [74] [75] [76] There are some who may choose not to create war art. During the course of World War II, the Italians created virtually no art which documented the conflict.
During World War II, the relations between art and war can be articulated around two main issues. First, art (and, more generally, culture) found itself at the centre of an ideological war. Second, during World War II, many artists found themselves in the most difficult conditions (in an occupied country, in internment camps , in death camps ...
Howard Brodie (November 18, 1915 – September 19, 2010) was a sketch artist best known for his World War II, Korean and Vietnam combat and courtroom sketches.He worked as a staff artist for Life, Yank Magazine, Collier's, Associated Press and CBS News.
William Henry Mauldin (/ ˈ m ɔː l d ən /; October 29, 1921 – January 22, 2003) was an American editorial cartoonist who won two Pulitzer Prizes for his work. He was most famous for his World War II cartoons depicting American soldiers, as represented by the archetypal characters Willie and Joe, two weary and bedraggled infantry troopers who stoically endure the difficulties and dangers ...
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