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In 2014 the capoeira circle was added to UNESCO's Representative List of the Intangible Cultural Heritage of Humanity, the convention recognised that the "capoeira circle is a place where knowledge and skills are learned by observation and imitation" and that it "promotes social integration and the memory of resistance to historical oppression".
For the African slaves, capoeira was a social expression that incorporated all the basic African elements: circle, dance, music, rituals and symbols. It also contains all the ingredients of a game from the Kongolese perspective: a means to train and prepare for life, providing the experience needed to strengthen the body and the soul.
A capoeira roda in Farroupilha Park, Porto Alegre, Brazil (2007). Roda (Portuguese pronunciation: - wheel or circle) is the circular formation within which participants perform in any of several African and Afro-Brazilian dance art forms, such as engolo, capoeira, maculelê and samba de roda.
History of capoeira; B. Batuque (Brazil) Black Guard (Brazil) C. Capoeira Angola; Capoeira carioca; Capoeira: The History of an Afro-Brazilian Martial Art;
Capoeira: The History of an Afro-Brazilian Martial Art is a book by Matthias Röhrig Assunção published by Routledge in 2005. [1] The book is known for its insight into the far-reaching history of the Brazilian martial art known as Capoeira, and its complex cultural significance to Brazilian identity. It provides a series of in-depth debates ...
The Little Capoeira Book. Blue Snake Books. ISBN 9781583941980. Desch-Obi, M. Thomas J. (2008). Fighting for Honor: The History of African Martial Art Traditions in the Atlantic World. Columbia: University of South Carolina Press. ISBN 978-1-57003-718-4. Taylor, Gerard (2012). Capoeira 100: An Illustrated Guide to the Essential Movements and ...
Capoeira music is the traditional musical accompaniment used in Afro-Brazilian art capoeira, featuring instruments like berimbau, pandeiro, atabaque, agogô, and reco-reco. The music plays a crucial role in capoeira roda , setting the style the energy of a game.
When the leader gives the signal to begin playing Maculelê, two people enter the circle, and to the rhythm of the atabaque, they begin striking their own and each other's sticks together. On the first three beats, they strike their own sticks together, making expressive and athletic dance movements, and on each fourth beat, they strike each ...