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The Death of Socrates (French: La Mort de Socrate) is an oil on canvas painted by French painter Jacques-Louis David in 1787. The painting was part of the neoclassical style, popular in the 1780s, that depicted subjects from the Classical age, in this case the story of the execution of Socrates as told by Plato in his Phaedo. [1]
Pages in category "Paintings about suicide" ... The Death of Seneca (David) The Death of Socrates; The Death of Sophonisba (Preti) Drowning Girl; The Dying Cleopatra; L.
Jacques-Louis David, The Death of Socrates, 1787. Socrates concluded that “a man, who is one of the god’s possessions, should not kill himself ‘until the god sends some compulsion upon him, as he sends compulsion on us at present'”. [6] He thus saw one who died by suicide as condemnable, even though he did so himself.
The Death of Socrates by Jacques-Louis David (1787) Forced suicide was a common means of execution in ancient Greece and Rome. As a mark of respect it was generally reserved for aristocrats sentenced to death; the victims would either drink hemlock or fall on their swords. Economic motivations prompted some suicides in ancient Rome.
For Socrates, to be separated from elenchus by exile (preventing him from investigating the statement) was therefore a fate worse than death. Since Socrates was religious and trusted his religious experiences, such as his guiding daimonic voice, he accordingly preferred to continue to seek the truth to the answer to his question, in the after ...
The Trial of Socrates (399 BC) was held to determine the philosopher's guilt of two charges: asebeia against the pantheon of Athens, and corruption of the youth of the city-state; the accusers cited two impious acts by Socrates: "failing to acknowledge the gods that the city acknowledges" and "introducing new deities".
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain". This photographic reproduction is therefore also considered to be in the public domain in the United States.
Subjects showing the life of Jesus during his active life as a teacher, before the days of the Passion, were relatively few in medieval art, for a number of reasons. [1] From the Renaissance, and in Protestant art, the number of subjects increased considerably, but cycles in painting became rarer, though they remained common in prints and ...