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A C.F. Martin & Company dreadnought. The dreadnought is a type of acoustic guitar body developed by American guitar manufacturer C.F. Martin & Company. [1] The style, since copied by other guitar manufacturers, has become one of the most common for acoustic guitars.
The Martin D-28 uses a dreadnought design, a naval term adopted and used by many to describe its larger body dimensions, hence the "D" designation. When first created, the dreadnought guitar was seen as less favorable to the standard, smaller-sized guitars of its time.
The first D-45 was a dreadnought guitar based on the Martin D-28 with luxury ornamentation (the "45" designation), [2] made especially for Gene Autry who, in 1933, ordered "the biggest, fanciest Martin he could."
The Gibson Hummingbird is an acoustic guitar model/series produced by the Gibson Guitar Corporation.. Unlike the other flat-top Gibson acoustics, the Hummingbird was Gibson's first square-shoulder dreadnought, similar to the dreadnoughts produced by C.F. Martin & Company.
This page was last edited on 14 November 2014, at 21:41 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The Gibson J-45 is a guitar manufactured by the Gibson Guitar Corporation. Generally regarded as Gibson's most famous and widely used acoustic guitar model, it is considered the workhorse of guitars. The Jumbo guitar is signified by the "J" and not to be confused with C.F. Martin & Company's Dreadnought body style.
Typically, a guitar's body is a sound box, of which the top side serves as a sound board that enhances the vibration sounds of the strings. In standard tuning the guitar's six strings [2] are tuned (low to high) E 2 A 2 D 3 G 3 B 3 E 4. Guitar strings may be plucked individually with a pick (plectrum) or fingertip, or strummed to play chords.
D'Aquisto flat top guitars are a group of sixteen guitars [10] made by D'Aquisto. He made sixteen flat top guitars from 1973 to 1984. [10] He made two types, a grand auditorium and a dreadnought. [11] He believed the large oval sound hole produced greater projection than the typical round sound hole. [12] He numbered his guitars from 101 to 116 ...