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  2. Vito (Leblanc) - Wikipedia

    en.wikipedia.org/wiki/Vito_(Leblanc)

    Vito is a brand name for Leblanc USA, now part of Conn-Selmer USA. The Vito name was used for student through professional (Yanagisawa baritone saxophone) instruments. Leblanc USA was formed in 1946 by Vito Pascucci, and the French woodwind manufacturer, G. Leblanc Cie of France. To meet high demand, Leblanc USA started to manufacture clarinets ...

  3. Leblanc (musical instrument manufacturer) - Wikipedia

    en.wikipedia.org/wiki/Leblanc_(musical...

    Leblanc added the KHS company of Taiwan as a source for Vito saxophones in 1981. The KHS versions were sold as models 7133, 7136, 7140, and 7190. The Vito line of woodwinds was discontinued in 2004, although the equivalent models of saxophones continued to be made by Yamaha and KHS (Jupiter). The Vito line of brasswinds was discontinued in 2007.

  4. Boehm system (clarinet) - Wikipedia

    en.wikipedia.org/wiki/Boehm_system_(clarinet)

    The Boehm system for the clarinet is a system of clarinet keywork, developed between 1839 and 1843 by Hyacinthe Klosé and Auguste Buffet jeune.The name is somewhat deceptive; the system was inspired by Theobald Boehm's system for the flute, but necessarily differs from it, since the clarinet overblows at the twelfth rather than the flute's octave.

  5. Reform Boehm system - Wikipedia

    en.wikipedia.org/wiki/Reform_Boehm_system

    The register key is like the key on German clarinets, with the corresponding tone hole on the left side. There is a ring on the upper joint tone hole for the C. This can be found on some Boehm clarinets, but is not common. [4] There is a G ♯ key for the right index finger. [5] There is an improved low E/F key. [6]

  6. Alto clarinet - Wikipedia

    en.wikipedia.org/wiki/Alto_clarinet

    The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]

  7. C. G. Conn - Wikipedia

    en.wikipedia.org/wiki/C._G._Conn

    Around 1917 C.G. Conn introduced drawn tone holes (after a patent by W.S. Haynes in 1914) eliminating the necessity of soft-soldering tone hole platforms onto the bodies of the instruments. Around 1920 C. G. Conn introduced rolled tone hole rims, a feature that enhanced the seal of the pads and extended pad life. Rolled tone holes remained a ...