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By the end of his career in the late 1960s, Hodges was playing a Vito LeBlanc Rationale alto (serial number 2551A), an instrument with unusual key-mechanisms (providing various alternative fingerings) and tone-hole placement, which gave superior intonation. Fewer than 2,000 were ever made.
Vito is a brand name for Leblanc USA, now part of Conn-Selmer USA. The Vito name was used for student through professional (Yanagisawa baritone saxophone) instruments. Leblanc USA was formed in 1946 by Vito Pascucci, and the French woodwind manufacturer, G. Leblanc Cie of France. To meet high demand, Leblanc USA started to manufacture clarinets ...
Leblanc added the KHS company of Taiwan as a source for Vito saxophones in 1981. The KHS versions were sold as models 7133, 7136, 7140, and 7190. The Vito line of woodwinds was discontinued in 2004, although the equivalent models of saxophones continued to be made by Yamaha and KHS (Jupiter). The Vito line of brasswinds was discontinued in 2007.
Iwan Müller 13 keys clarinet by Iwan Müller. Iwan Müller, sometimes spelled Iwan Mueller (14 December 1786, Reval, Governorate of Estonia – 4 February 1854, Bückeburg), was a clarinetist, composer and inventor who at the beginning of the 19th century was responsible for a major step forward in the development of the clarinet, the air-tight pad.
The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]
Murray died in 1929 at a Los Angeles hospital after injuries sustained in an automobile accident. Apparently, he was standing on the running board of a moving roadster and fell; he struck the back of his head on the pavement and was then hospitalized with serious head injury. Murray is buried at the Memorial Park Cemetery in Skokie, Illinois. [4]
However, he also argues that the store had another, more musically important purpose. Throughout the work day (from 1pm to sundown) musicians would seek Burke at the Rabais to play with him. These sessions were informal and unattended, consisting of Burke's clarinet and whatever instrument the player(s) had brought.
Along with Bobby Keys and Jim Price he became one of the most in-demand horn session players of the 1970s and 1980s. Horn played on solo albums by three members of the Beatles, forming a long association with George Harrison after appearing at the latter's Concert for Bangladesh benefit in 1971. Horn toured with John Denver on and off from 1978 ...