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English: Music and lyrics of the song "Good Morning to All", with third verse "Happy Birthday to You", printed in 1915 in Golden Book Of Favorite Songs unauthorized publication, which do not credit Hill’s 1893 melody.
One of several songs that Bowie wrote about Orwell's Nineteen Eighty-Four; Bowie had also hoped to produce a televised musical based on the book. [31] "2112" 2112: Rush: Anthem: Ayn Rand: Song shares themes with the novel, such that Neil Peart recognized Rand in the album's liner notes. [32] "Abigail" Creatures: Motionless in White: The ...
Diamond Dogs an album by David Bowie is loosely based on George Orwell's Nineteen Eighty-Four especially the songs "Future Legend", "We Are The Dead", "1984" and "Big Brother". [ 1 ] Deltron 3030 by Deltron 3030 (Del the Funky Homosapien, Dan the Automator, and Kid Koala), is a hip hop album about a future world of battle raps with aliens ...
Download as PDF; Printable version; In other projects ... Danny Don't You Know; F. Les Friction; Future Folk; Futurians (band) H. Halyx; Erin Hill; I. I See You ...
The song samples the bass line from Meat Beat Manifesto's "Radio Babylon" with Lisa Gerrard's vocal from "Dawn of the Iconoclast" by Dead Can Dance. [3] Cobain described the sampling choices stating that the "Radio Babylon" bass line was "one of the greatest within the culture" while the bass line in "Papua New Guinea" was "kind of a staccato sampled version."
We may never know what “Wang-Chung tonight” means, but either way, this feel-good ‘80s song embodies good times and having a blast with your pals. “Summer in the City” by The Lovin ...
Futurist music rejected tradition and introduced experimental sounds inspired by machinery, and influenced several 20th-century composers. According to Rodney Payton, "early in the movement, the term 'Futurism' was misused to loosely define any sort of avant-garde effort; in English, the term was used to label a composer whose music was ...
The Futuristic Sounds of Sun Ra is the first record to be recorded by a pared-down Arkestra after Sun Ra and the core of his group left Chicago and relocated to New York City. According to Sun Ra's biographer John Szwed: [4] 'The idea was just to play a few gigs, maybe some studio work, and then go back to Chicago and work at the Pershing [club ...