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Hook sizes generally are referred to by a numbering system that places the size 1 hook in the middle of the size range. Smaller hooks are referenced by larger whole numbers (e.g. 1, 2, 3...). Larger hooks are referenced for size increases by increasing whole numbers followed by a "/" and a "0" (i.e. sizes over zero), for example, 1/0 (read as ...
The extremes of the meantone systems encountered in historical practice are the Pythagorean tuning, where the whole tone corresponds to 9:8, i.e. (3:2) 2 / 2 , the mean of the major third (3:2) 4 / 4 , and the fifth (3:2) is not tempered; and the 1 ⁄ 3-comma meantone, where the fifth is tempered to the extent that three ...
It is made of PVC and wood, its tubing is over 8 metres (26 ft) in length and its lowest note is C 0 (16 Hz), below what is generally considered the range of human hearing. The only known example of the instrument is a prototype built for Italian flautist Roberto Fabbriciani by Francesco Romei, a Florentine craftsman.
Recorders are made in various sizes with names and compasses roughly corresponding to various vocal ranges. The sizes most commonly in use today are the soprano (also known as descant, lowest note C 5), alto (also known as treble, lowest note F 4), tenor (lowest note C 4), and bass (lowest note F 3). Recorders were traditionally constructed ...
8′ + 8′ + 16′ Like the violin combination, but heavier because of the added 16' reed rank. Master 4′ + 8′ + 8′ + 16′ The loudest and fullest accordion sound. On accordions of any size, the "master" combination uses all available reed ranks, and as a rule its symbol shows only the ranks actually present.
The playing ranges of the instruments in the violin family overlap each other, but the tone quality and physical size of each distinguishes them from one another. The ranges are as follows: violin: G 3 to E 7 (practical, notes up to A7 are possible); viola: C 3 to A 6 (conservative); violoncello: C 2 to A 5 (conservative); and double-bass: E 1 to C 5 (slightly expanded from conservative estimate).
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