Search results
Results From The WOW.Com Content Network
For example, the interference of two pitches can often be heard as a repetitive variation in the volume of the tone. This amplitude modulation occurs with a frequency equal to the difference in frequencies of the two tones and is known as beating. The semitone scale used in Western musical notation is not a linear frequency scale but logarithmic.
Studies cited as contrary evidence did not address the physiological brain response to high-frequency audio, only the subject's conscious response to it. Further investigation of the observed physiological response appears to show that the ear alone does not produce the extra brain waves, [ 12 ] but when the body is exposed to high-frequency ...
Hearing a missing fundamental frequency, given other parts of the harmonic series; Various psychoacoustic tricks of lossy audio compression; McGurk effect; Octave illusion/Deutsch's high–low illusion; Auditory pareidolia: hearing indistinct voices in random noise. The Shepard–Risset tone or scale, and the Deutsch tritone paradox; Speech-to ...
[6] [7] The ERB can be converted into a scale that relates to frequency and shows the position of the auditory filter along the basilar membrane. For example, ERB = 3.36 Hz corresponds to a frequency at the apical end of the basilar membrane, whereas ERB = 38.9 Hz corresponds to the base, and a value of 19.5 Hz falls half-way between the two. [6]
The temporal theory of hearing, also called frequency theory or timing theory, states that human perception of sound depends on temporal patterns with which neurons respond to sound in the cochlea. Therefore, in this theory, the pitch of a pure tone is determined by the period of neuron firing patterns—either of single neurons, or groups as ...
The curve is much shallower in the high frequencies than in the low frequencies. This flattening is called upward spread of masking and is why an interfering sound masks high frequency signals much better than low frequency signals. [1] Figure B also shows that as the masker frequency increases, the masking patterns become increasingly compressed.
Place theory is a theory of hearing that states that our perception of sound depends on where each component frequency produces vibrations along the basilar membrane.By this theory, the pitch of a sound, such as a human voice or a musical tone, is determined by the places where the membrane vibrates, based on frequencies corresponding to the tonotopic organization of the primary auditory neurons.
The horizontal axis shows frequency in Hertz. In acoustics, loudness is the subjective perception of sound pressure.More formally, it is defined as the "attribute of auditory sensation in terms of which sounds can be ordered on a scale extending from quiet to loud". [1]