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Untitled is a painting created by American artist Jean-Michel Basquiat in 1982. The artwork, which depicts a skull, is among the most expensive paintings ever. In May 2017, it sold for $110.5 million at Sotheby's, the highest price ever paid at auction for artwork by an American artist in a public sale.
Pages in category "Skulls in art" The following 107 pages are in this category, out of 107 total. This list may not reflect recent changes. A. Affe mit Schädel;
The subdued facial expression is a contrast to the vibrant colors that suggest an abundance of internal activity. Basquiat's use of heads and skulls are deeply rooted in his identity as a Black American and are evocative of African masks. [4] "He developed a unique style, which combined expressive and at times violent brushstrokes with words ...
In 1887–88, van Gogh painted two more paintings with skulls, the only other works of his (besides a drawing from the same period) to use skulls as a motif. [2] The work measures 32 by 24.5 centimetres (12.6 in × 9.6 in). It is considered a vanitas or memento mori, at a time when van Gogh himself was in poor health.
Skull art is found in various cultures of the world. Indigenous Mexican art celebrates the skeleton and uses it as a regular motif. The use of skulls and skeletons in art originated before the Conquest : The Aztecs excelled in stone sculptures and created striking carvings of their Gods. [ 1 ]
The discovery came after researchers evaluated drawings found in various archaeological sites in Israel. Thus the dark skin, eyes and traditional Jewish beard with short, curly hair.
The following is a list of significant artworks by the American artist Jean-Michel Basquiat (1960–1988), who played a historic role in the rise of street art and neo-expressionism. During his short yet productive career, Basquiat created more than 600 paintings and 1,500 drawings. [1] He started creating sculptures and mixed media works in 1979.
Thus, their art reflects a pragmatic approach, embracing realistic imagery that evokes human decay into skulls and bones. Their use of simplistic, line-drawn imagery was a deliberate rejection of Catholic iconography , a choice also reflected in the design of their churches, portrait paintings and stained glass . [ 13 ]