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"Anything for You" is a song by Canadian reggae recording artist Snow, released as the first single from his second album, Murder Love (1995). While becoming a club favorite and a grassroots hit on The Box in the United States and Canada, the single only peaked at number 74 on the Canadian Singles Chart.
"Everybody Wants to Be Like You" is a song by Canadian pop-reggae singer Snow from his 2000 album, Mind on the Moon. The song became one of Snow's highest-peaking hits in Canada, reaching number two on both the Canadian Singles Chart and the RPM 100 Hit Tracks chart in October 2000.
In Snow's native Canada, "Informer" topped The Record ' s singles chart and was a top-10 radio hit, peaking at number nine on the RPM 100 Hit Tracks chart. "Informer" was awarded with a gold record in Austria and the Netherlands, a silver record in the UK, and a platinum record in Germany, New Zealand and the US.
The single became Miike Snow's first to lack an accompanying music video. The song is included on the soundtrack for the racing video game Forza Horizon 3 (2016). In March 2017, a deep house remix of the track by Dutch DJ duo The Him was released digitally.
"Snow (Hey Oh)" (occasionally stylized as "Snow ((Hey Oh))") is a song by American band Red Hot Chili Peppers from their 2006 double album, Stadium Arcadium. The song was released as the follow-up single to " Tell Me Baby " in 2006, and became the band's third straight number one hit on the Billboard Modern Rock chart, a spot it held for five ...
Fresh snowflakes continue to dampen sound even once they reach the ground, turning the world into a sort of soundbooth with padding on every surface to prevent sound waves from bouncing around the ...
Mind on the Moon is an album by Canadian reggae musician Snow, released in 2000.Despite being his fifth album, this was the first disc since his 1993 debut 12 Inches of Snow that Snow returned to the pop charts and received mainstream airplay on both radio and television.
Mark Snow got involved with The X-Files, since he was a good friend of executive producer R.W. Goodwin. At the start, Carter and the producers wanted Snow to focus on using synthesizers to craft heavily ambient soundscapes. This early emphasis on abstract arrangements bored Snow who instead wanted to take the show in a much more musical ...