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A major scale can be transformed to its parallel minor by lowering the third, sixth, and seventh scale degrees, and a minor scale can be transformed to its parallel major by raising those same scale degrees. In the early nineteenth century, composers began to experiment with freely borrowing chords from the parallel key.
Starting from a major chord, for example G major (G–B–D), there are twelve potential goals using a common-tone modulation: G minor, G ♯ minor, B ♭ major, B major, B minor, C major, C minor, D minor, D major, E ♭ major, E major, E minor. [14] Thus common-tone modulations are convenient for modulation by diatonic or chromatic third.
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
Their parallel majors are E major and A major. The mediants of the parallel minor of C major (C minor) are E ♭ major and A ♭ major. Thus, by this conservative definition, C major has four chromatic mediants: E major, A major, E ♭ major, and A ♭ major. There is not complete agreement on the definition of chromatic mediant relationships.
A harmonic minor scale can be built by lowering the 3rd and 6th degrees of the parallel major scale by one semitone. Because of this construction, the 7th degree of the harmonic minor scale functions as a leading tone to the tonic because it is a semitone lower than the tonic, rather than a whole tone lower than the tonic as it is in natural ...
It is occasionally called superdominant, [3] as the degree above the dominant. This is its normal name (sus-dominante) in French. In Roman numeral analysis, the triad formed on the submediant is typically symbolized by "VI" if it is a major triad (the default in a minor mode) and by "vi" if it is a minor triad (the default in a major mode).
Degrees are relative to the major scale. List of musical scales and modes Name Image Sound Degrees Intervals Integer notation ... minor: major — Minor pentatonic scale:
A modulating sequence is a sequence that leads from one tonal center to the next, with each segment technically being in a different key in some sequences: [2] Mozart Minuet in F, K 5 Mozart Minuet in F K6. The above passage starts in F major and modulates to Bb major and then, via the chord of G, to C major.