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Robert Sommer studied the design of airport seating and concluded that the arrangement of chairs in rigid lines bolted to the floor was deliberately Sociofugal — discouraging any form of social interaction between individuals and encouraging them to go to commercial locations such as shops and cafes. [1]
It sits on a waiting room chair, and, according to the sculptor, the figure symbolizes the emotions of people who wait at the doctor's office. [ 3 ] [ 5 ] The sculpture is made of plastic and epoxy resin, which, when mixed, form a clay-like substance that feels hard and rough to the touch.
Jump seats originated in horse-drawn carriages and were carried over to various forms of motorcar. A historic use still found today is in limousines, along with delivery vans (either as an auxiliary seat or an adaptation of the driver's seat to improve ease of entry and exit for their many deliveries) and various forms of extended cab pickup trucks (to permit a ready trade-off - and transition ...
Ladderback chair, a wooden arm or side chair in which the horizontal elements of the back give the appearance of a ladder; typically described by the number of such elements; a 'five-back', a 'three-back'; on better examples, the width of these elements is graduated, wider to narrower, top to bottom; Lambing chair, a wood "box" form of winged ...
Entrance to the Visitors Center. The space is mainly designed for use as a holding zone for visitors waiting to take tours of the Capitol. The number of annual visitors to the Capitol has tripled from 1,000,000 in 1970 to nearly 3,000,000 as of recent times, and it has become difficult to deal with the congestion caused by such crowds. [1]
The 40/4 chair is the compactly stackable chair designed by David Rowland in 1964. Forty chairs can be stacked within a height of 4 feet (120 cm), giving the chair its name. Over time it has received a number of design awards and is in the permanent collection of the Museum of Modern Art in New York, as well as other museums internationally.