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Swan Lake is a one-act ballet made by New York City Ballet's co-founder and ballet master George Balanchine to Tschaikovsky's eponymous music (1875–56). The premiere took place Thursday, 20 November 1951 at the City Center of Music and Drama, New York.
In early 1979, Kistler was selected to study at New York City Ballet's School of American Ballet (SAB), where she met George Balanchine. She joined the New York City Ballet (NYCB) corps de ballet in 1980, and was featured in a Time article before the end of the year.
Kathryn Elizabeth Morgan (born August 17, 1988) [citation needed] is an American ballet dancer. She joined New York City Ballet in 2006 and was promoted to the rank of soloist in 2009. Morgan left New York City Ballet in 2012 due to health complications related to her suffering from Hashimoto's thyroiditis.
Stafford became an apprentice at New York City Ballet in October 1998, and joined the corps de ballet in February 1999. He became a soloist in 2006, and taught in the School of American Ballet as a guest faculty. The following year, he was promoted to principal dancer, and joined SAB's permanent faculty.
She has danced classical productions such as Swan Lake, Balanchine's works including Tchaikovsky Pas de Deux and The Nutcracker, and originated roles such as Christopher Wheeldon's After the Rain. [ 1 ] [ 2 ] Before her retirement she was the company's most senior dancer, [ 3 ] and the only remaining dancer to have worked with founding ...
The School of American Ballet (SAB) is the associate school of the New York City Ballet, a ballet company based at the Lincoln Center for the Performing Arts in New York City. The school trains students from the age of six, with professional vocational ballet training for students aged 11–18.
American Ballet Theatre (ABT) is a classical ballet company based in New York City.Founded in 1939 [2] by Lucia Chase and Richard Pleasant. Through 2019, it had an annual eight-week season at the Metropolitan Opera House (Lincoln Center) in the spring and a shorter season at the David H. Koch Theater in the fall; the company tours around the world the rest of the year.
A documentary (2001) by Dominique Delouche, in French with English subtitles. Verdy is seen coaching dancers from the Paris Opera Ballet in roles created for her at New York City Ballet. Included are excerpts from Balanchine's Emeralds, Liebeslieder Walzer, Sonatine, and Tschaikovsky Pas de Deux and from Robbins's Dances at a Gathering and In ...