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He comes with clouds descending" is a Christian hymn by Charles Wesley (1707–1788), based on an earlier hymn, "Lo! He cometh, countless Trumpets" by John Cennick (1718–1755). Most commonly sung at Advent , the hymn derives its theological content from the Book of Revelation relating imagery of the Day of Judgment .
Anthony Velona and Remo Capra arranged English lyrics upon the original musical composition for a version entitled "O Bambino" (also known as "One Cold and Blessed Winter"). This version was recorded by several singers in the late 1960s, before the history of the song was widely known, and was partly incorporated into Sergio Franchi 's ...
In a 2013 interview, Robert Lamm said he composed "25 or 6 to 4" on a 12-string guitar with only 10 strings. According to Lamm, "It didn't have the two low Es." He wrote the lyrics in one day. The band first rehearsed the song at the Whisky a Go Go. [2] Lamm said the song is about trying to write a song in the middle of the night.
The angels represent souls descending to and ascending from bodies (some consider this to be Philo's most explicit reference to the doctrine of reincarnation). In the second interpretation, the ladder is the human soul, and the angels are God's logoi, pulling the soul up in distress and descending in compassion.
The song begins with a falling tear motif, starting on an A and descending to an E by step on the text "Flow, my tears". This may have been borrowed from an Orlando di Lasso motet or Luca Marenzio madrigal (this type of motif was common in Elizabethan music to signify grief), in addition to other borrowings in the piece. [3]
They form a third descending, C, B, A. [7] Robert Schumann's Kreisleriana #7, which is arguably about a cat (Murr), appears to be based upon "Three Blind Mice", but in a predominantly minor key. "Three Blind Mice" is to be found in the fugue which is the centerpiece of #7. [citation needed]
"Verbum supernum prodiens" (literally: The word [descending] from above) is a Catholic hymn in long metre by St Thomas Aquinas (1225–1274). It was written for the Hour of Lauds in the Divine Office of Corpus Christi. It is about the institution of the Eucharist by Christ at the Last Supper, and His Passion and death.
Lea Desandre performs "Dido's Lament" with Les Arts Florissants in 2020. Dido's Lament ("When I am laid in earth") is the closing aria from the opera Dido and Aeneas by Henry Purcell to a libretto by Nahum Tate.