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The Toledo Museum of Art is an internationally known art museum located in the Old West End neighborhood of Toledo, Ohio. It houses a collection of more than 30,000 objects. [ 3 ] With 45 galleries, it covers 280,000 square feet and is currently in the midst of a massive multiyear expansion plan to its 40-acre campus.
Blind Man's Bluff (French: Le collin maillard) is a painting by the French Rococo painter Jean-Honoré Fragonard, produced around 1750 in oil on canvas.It is held by the Toledo Museum of Art in Toledo, Ohio, United States, which purchased it with funds from the Libbey Endowment, a gift of the glass manufacturer Edward Libbey who founded the museum in 1901.
Google Arts & Culture (formerly Google Art Project) is an online platform of high-resolution images and videos of artworks and cultural artifacts from partner cultural organizations throughout the world, operated by Google.
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The Edward D. Libbey House is a historic house museum at 2008 Scottwood Avenue in Toledo, Ohio. Built in 1895, it was the home of Edward Libbey (1854-1925), a businessman who revolutionized the glass making industry in the United States. Libbey and his wife, Florence Scott Libbey would later establish the Toledo Museum of Art in 1901. [3]
Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States. He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020. He was the director of the Toledo Museum of Art in Ohio
The Morrison Triptych is an altarpiece in triptych or three-paneled form, by the master and probably painted around 1500 A.D. The work is named after an earlier owner, the British collector Alfred Morrison, and is now in the Toledo Museum of Art in Toledo, Ohio, United States.
Moses was singled out for mention in a review of the Museum of Modern Art's 1998 Tony Smith retrospective, for which the Toledo Museum of Art [2] lent its edition of the sculpture. Mark Stevens wrote: “In a massive black sculpture such as Moses, you can sense the geometric backbone of nature as well as the girders of the modern city; the ...