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Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
Only two tones, associated with pitch accents, are recognised, these being H (high) and L (low); all other tonal contours are made up of combinations of H, L and some other modifying elements. In addition to the two tones mentioned above, the phonological system includes "break indices" used to mark the boundaries between prosodic elements.
For example, one listener would hear the tone pair C–F ♯ as ascending and the tone pair G–C ♯ as descending. Yet another listener would hear the tone pair C–F ♯ as descending and the tone pair G–C ♯ as ascending. Furthermore, the way these tone pairs were perceived varied depending on the listener's language or dialect.
Tone (linguistics) cites three sources to say that Middle Korean had tones, while Koreanic languages cites just the last of the three sources to say that [t]here is some evidence that pitch levels after the first high tone were not distinctive, so that Middle Korean was a pitch-accent language rather than a tonal language.
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Prosodic control is essential to speech delivery because it establishes vocal identity, since each individual's voice has unique characteristics. There are two types of dysprosody, linguistic and emotional, that each present with slightly different symptoms. It is possible that one can present with both forms of dysprosody. [citation needed]
In linguistics, prosody (/ ˈ p r ɒ s ə d i, ˈ p r ɒ z-/) [1] [2] is the study of elements of speech, including intonation, stress, rhythm and loudness, that occur simultaneously with individual phonetic segments: vowels and consonants.
Outside of the United States, artists such as French singer-songwriters Léo Ferré and Serge Gainsbourg made personal use of spoken word over rock or symphonic music from the beginning of the 1970s in such albums as Amour Anarchie (1970), Histoire de Melody Nelson (1971), and Il n'y a plus rien (1973), and contributed to the popularization of ...