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PORTRAIT OF A WOMAN STANDING. B. 145; M. 197. Almost three-quarter-length. She is turned three-quarters left, and looks at the spectator. Her left hand grasps her gold chain; the right hand is extended before her. She wears a lace-trimmed cap, a black silk dress, a ruff, and lace wristbands. To the left is a coat-of-arms, which has been repainted.
Portrait of a Woman Standing; Credit/Provider: Photo: The National Gallery, Lon: Usage terms: This image may be used internally for any official National Gallery purpose. Requests to supply this image to any external party (e.g. for publication, 3rd party research) should be directed to picture.library@nationalgallery.co.uk; Width: 7,984 px ...
Mary Cassatt (1844-1926); Standing Woman, Holding a Fan; 1878-1879; Distemper with metallic paint on canvas; Amon Carter Museum of American Art, Fort Worth, Texas, Acquisition in honor of Ruth Carter Stevenson and the 50th Anniversary of the Amon Carter Museum of American Art with funds provided by Anne T. and Robert M. Bass, The Walton Family ...
Portrait of a Woman Standing (Kassel) is a painting by the Dutch Golden Age painter Frans Hals, painted in 1618–1620 and now in Gemäldegalerie Alte Meister (Kassel). It is considered a pendant portrait to the Portrait of a Man Standing , in the same museum.
Gaston Lachaise (March 19, 1882 – October 18, 1935) was a French-born sculptor, active in America in the early 20th century.A native of Paris, he is most noted for his robust female nudes such as his heroic Standing Woman.
Figure drawing by Leonardo da Vinci. A figure drawing is a drawing of the human form in any of its various shapes and postures, using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches.
The drawing is related to the painting W27 : Study of the legs of a seated woman: c. 1628: Chalk: 22.6 x 17.6 cm: Rijksmuseum Amsterdam: The drawing is related to the painting W37 : The Raising of the Cross: 1628-1629: Black chalk, heightened with white, framing lines in pencil and with the pen and brown ink: 19.3 x 14.8 cm: Museum Boijmans Van ...
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer .