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This drum machines create and generate drum sound like a analog synthesizer Pages in category "Analog drum machines" The following 3 pages are in this category, out of 3 total.
Hydrogen is an open-source drum machine created by Alessandro Cominu, an Italian programmer who goes by the pseudonym Comix. [1] Its main goal is to provide professional yet simple and intuitive pattern-based drum programming. Hydrogen was originally developed for Linux, and later ported to Mac OS X and Windows.
The R-8 Human Rhythm Composer is an electronic drum machine introduced in 1989 by Roland Corporation, using PCM voices. The R-8 features velocity- and pressure-sensitive trigger pads, and the ability to create loops of beats. The device has eight individual outputs, 32-voice polyphony, and four-part multitimbral MIDI.
E-mu SP-12. The E-mu SP-12 is a sampling drum machine. [1] Designed in 1984, SP-12 was announced by E-mu Systems in 1985. [2] Expanding on the features of E-mu’s affordable and commercially successful Drumulator, a programmable digital drum machine, SP-12 introduced user sampling, enabling musicians to sample their own drums and other sounds.
original E-mu SP-1200 (1987). The E-mu SP-1200 is a sampling drum machine designed by Dave Rossum and released in August 1987 by E-mu Systems.Like its predecessor, the SP-12, it was designed as a drum machine featuring user sampling.
Media in category "Drum machines" This category contains only the following file. RhythmiconMoscow.jpg 300 × 260; 20 KB
The CR-78's built-in rhythm sounds were a further development of those available on the earlier Roland Rhythm 33, 55 and 77 machines. The analog percussion voices consist of bass drum, snare drum, rim shot, hi-hat, cymbal, maracas, claves, cowbell, high bongo, low bongo, low conga, tambourine, guiro, and "metallic beat" (an accent that could be overlaid on the hi-hat voice).
The Dynacord ADD-One (advanced digital drums) is a German-manufactured, American-designed [3] drum machine that was first released in 1986. It uses recorded samples to produce its sounds through analog voltage-controlled envelopes and analog filters with resonance, to self-oscillation per voice.