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Soundcraft first made its mark by manufacturing the Series 1, the first mixing console built into a flight-case. [2] It was available with 12 or 16 input channels and 4 outputs—main stereo, plus a post-fader ‘echo’ send and pre-fader foldback. Each channel had four-band fixed-frequency EQ.
Graham Blyth (22 March 1948 – 22 October 2024) was an English audio engineer, known for designing mixing consoles.He co-founded Soundcraft, a manufacturer which Blyth helped form into a world leader in sound reinforcement and recording mixers, establishing the "British sound".
Subgroups, auxiliary mixes, submixes or even the main outputs are routed through the matrix mixer to different loudspeaker zones, making the matrix essentially a "mix of mixes". [4] A front-of-house matrix may be used at a concert to switch between the headliner's and the opening act's mixing consoles. A matrix mixer feature may be included on ...
Audio mixing for film and television is a process during the post-production stage of a moving image program by which a multitude of recorded sounds are combined. In the editing process, the source's signal level, frequency content, dynamics, and panoramic position are commonly manipulated and effects added.
Stem-mixing is a method of mixing audio material based on creating groups of audio tracks and processing them separately prior to combining them into a final master mix. Stems are also sometimes referred to as submixes, subgroups, or buses .
Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. [3] The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production.
Magnetic tape was commonly used to create master copies.. Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication).
Williams Mix (1951–1953) is a 4'16" electroacoustic composition by John Cage for eight simultaneously played independent quarter-inch magnetic tapes.The first piece of octophonic music, [1] [2] the piece was created by Cage with the assistance of Earle Brown, Morton Feldman, David Tudor, and Bebe and Louis Barron (who would later create the first all-electronic feature film soundtrack for ...