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The following is a sample from the cento Sacra Aeneis (1618), by Etienne de Pleure, on the adoration of the Magi.The lines of Vergil used, from his Aeneid and Georgics, are indicated on the left (e.g. 6.255 points to book 6, line 255); or, if changed in the middle of a line, an asterisk separates the new quotation with its source indicated on the right.
Cento Vergilianus de laudibus Christi (Latin: [ˈkɛntoː wɛrɡɪlɪˈaːnʊs deː ˈlau̯dɪbʊs ˈkʰriːstiː]; A Virgilian Cento Concerning the Glory of Christ) [nb 1] is a Latin poem arranged by Faltonia Betitia Proba (c. AD 352–384) after her conversion to Christianity.
His first book, Il giovane che entrava nel palazzo, won the first edition of the Cento Prize for children's books, chaired by author Gianni Rodari. During his long and prolific career he has written stories and poetry for readers of all ages [3] [2] [4] and has been awarded numerous prizes. He is regarded as one of Italy's "most beloved ...
A member of one of the most influential aristocratic families, she composed the Cento Vergilianus de laudibus Christi, a cento composed with verses by Virgil re-ordered to form an epic poem centred on the life of Jesus.
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Mu'allaqat, Arabic poems written by seven poets in Classical Arabic, these poems are very similar to epic poems and specially the poem of Antarah ibn Shaddad; Parsifal by Richard Wagner (opera, composed 1880–1882) Pasyón, Filipino religious epic, of which the 1703 and 1814 versions are popular; Popol Vuh, history of the K'iche' people
A golden shovel is a poetic form in which the last word of each line forms a second, pre-existing poem (or section thereof), to which the poet is paying homage.. It was created by Terrance Hayes, whose poem "Golden Shovel" (from his 2010 collection Lighthead) [1] is based on Gwendolyn Brooks' "We Real Cool" (which begins with an epigraph that includes the phrase "Golden Shovel").
Eleanor Farjeon (13 February 1881 – 5 June 1965) was an English author of children's stories and plays, poetry, biography, history and satire. [1]Several of her works had illustrations by Edward Ardizzone.